Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May... See full summary »
Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of ... See full summary »
This is a movie where three entirely different stories are told though dancing. Words are not used and the style of dancing is different for each part. Kelly is a clown in the 'Circus'; a ... See full summary »
Lowly clerk Aubrey Piper has a fondness for exaggerating about himself to impress people. His fantastic tales of visiting China and working as a manager at his place of employment charm his... See full summary »
An American actor (Arthur Tyler) impersonating an English butler is hired by a nouveau riche woman (Effie Floud) from New Mexico to refine her husband and headstrong daughter (Aggie). The ... See full summary »
A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May to marry him and she accepts even though she doesn't love him. Soon after, Louis has an accident and gets knocked on the head, where he dreams that he's King Louis XV pursuing the infamous Madame Du Barry. Written by
Daniel Bubbeo <email@example.com>
More scintillating stars - more gorgeous girls - more peppy dancing - more pulsing rhythms - more fun and funsters - than you've even seen before in the year's giant entertainment! (original Herald) See more »
At one point during May Daly''s opening song, Louis is sitting behind the hat check counter admiring her. He has his chin resting on his left hand, which he removes twice when someone come up to the counter. See more »
[about May Daly]
Isn't she wonderful?
What's so wonderful about her? Take away her eyes, her nose, her lips, and what have you got? A blank expression.
See more »
A Memorable and Beautifully-Crafted Romp Pure Musical Entertainment
The Roy Del Ruth directed romp "Du Barry Was Lady" from 1943 I suggest is one of the most imitated of all cinematic musicals. Its sincere main storyline involving dancer lovestruck Gene Kelly with gorgeous Lucille Ball and funnnyman Red Skelton with Virginia O'Brien is solidly presented. But this Sam Goldwyn style extravagance then blossoms out to include an extended dream-fantasy sequence. The later frenetic pageant stars all the characters in a royal French misadventure with Kelly as a rebel against the corrupt King, Ball as the infamous Du Barry who falls for the handsome "Black Arrow", her chief enemy, and Red Skelton as the dreamer and inept french King Louis XV. The immense cast also includes Rags Ragland, an early Zero Mostel as the Swami, powerful Douglass Dumbrille as Kelly's rival, Donald Meek, George Givot, talented actress Louise Beavers as a lovable but bossy maid, Niagara, and the Tommy Dorsey orchestra with the Pied Pipers, at this time including Dick Haymes and Jo Stafford, plus the Goldwyn Girls. The script for this expensive and lovely musical excuse for two hours' entertainment was supplied from a play by Herbert Fields and Buddy DeSylva, adapted by Nancy Hamilton. the screenplay was provided by Irving Brecher, with additional dialogue by Wilkie Mahoney. If the viewer looks closely, one can perhaps spot Marilyn Maxwell as a Goldwyn Girl, Ava Gardner (somwhere in the background), and fine actors Emory Parnell, Kay Aldridge and Grace Albertson in bit parts. Dorsey's orchestra is given several fine numbers, featuring his many talented sidemen. But the film belongs to the Kelly-Ball mismatch and to Red Skelton, being pursued by O'Brien. The producer was Arthur Freed, who employed Karl Freund's lucid cinematography, memorable art direction of the great Cedric Gibbons, Edmund Willis's elaborate set decorations done with Henry Grace, Gile Steel's male costumes and lovely female counterparts designed by Irene Sharaff, Sydney Guilaroff's difficult hair styles and Jack Dawn's inspired makeup. Music I suggest dominates much of the film; so, mention should be made of the orchestrations by Leo Arnaud and Axel Stordahl, done with George Bassman and music adaptor Roger Edens. Sy Oliver was also involved in orchestrations along with musical director George E. Stoll. Charles Waters is credited with the choreography, including several very fine production numbers. After not having seen the film for many years, I found its theatrical basis only a bit confining--the entire main film takes place in a large nightclub the performances more than adequate and the technicolor of this production absolutely lovely. Ball is much better in the French dream sequence I judge than in the more dramatic central plot; Kelly and Skelton acquit themselves very winningly; and Dumbrille and Mostel dominate every scene they are allowed to play. This can be a most enjoyable film, I suggest, for those in the mood for pure entertainment with a stronger story line than is usual for such 1930s and 1940s extravaganzas staged by Hollywood's studio tsars.
7 of 8 people found this review helpful.
Was this review helpful to you?