A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most...
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A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie." Written by
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on December 20, 1943 with Bing Crosby and Dorothy Lamour reprising their film roles. See more »
The movie changes all sorts of historical facts: The movie makes Emmett a bachelor wooing "Jean Mason" who is confined to a wheelchair. The song Dixie was intended as a sort of dirge but is given a sprightly tempo only because the theater, in the deep south, has caught fire. In fact Emmett married Catherine Rives circa 1853 and remained married until her death in 1875, there is no indication that she was disabled. Dixie was first sung, and at its familiar tempo, in NYC on April 4, 1859, in a non-burning music hall. The movie has only the first verse sung over and over again because, frankly, the second and third verses are a bit "unenlightened" by modern standards. A couple of years later Emmett was appalled that the Confederacy had appropriated his song and he promptly wrote several songs for the Union Army. See more »
Dixie is a highly fictionalized biography of Daniel Decatur Emmett who was born in Mount Vernon, Ohio and was twice married: to Catherine Rives, who died in 1875 and then to Mary Louise Bird, a widow with two daughters.
Emmett performed his first song Old Dan Tucker at the age of fifteen. He was one of four men in the "Original Virginia Minstrels," with Frank Brower. Billy Whitlock, and Dick Pelham. Emmett later performed with Bryant's Minstrels in New York and then with Leavitt's Gigantean Minstrels. Emmett wrote the song Dixie in the spring of 1859, while with Bryant's Minstrels in New York. At the beginning of the Civil War both armies marched to the tune of Dixie but by 1861 Dixie had become a Southern tune.
The movie is essentially a series of songs and 'black-face' acts. The latter, although generally considered humorous in 1943, will probably offend many viewers today.
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