A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most... See full summary »

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(story), (screenplay) | 1 more credit »
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Cast

Cast overview:
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Millie Cook
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Mr. Bones
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Jean Mason
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Mr. Whitlock
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Mr. Felham
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Mr. Cook
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Mr. Mason
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Mrs. Mason
Tom Herbert ...
Homer
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Mr. Deveraux (as Olin Howlin)
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Mr. LaPlant
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Waiter
Brandon Hurst ...
Dignified Man in Audience
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Storyline

A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie." Written by frankfob2@yahoo.com

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Plot Keywords:

showbiz | minstrel show | See All (2) »

Taglines:

THEIR SWELLEST AND GAYEST MUSICAL HIT (original print ad-all caps) See more »


Certificate:

Passed | See all certifications »
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Details

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Release Date:

13 January 1944 (Australia)  »

Also Known As:

A Canção de Dixie  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Goofs

In this movie, Dan Emmett's birthplace is in Kentucky. He was actually born (and died) in Mount Vernon, Ohio. See more »

Connections

Referenced in Road to Utopia (1945) See more »

Soundtracks

Swing Low, Sweet Chariot
(uncredited)
Written by Wallis Willis
Arranged by Henry Thacker Burleigh
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User Reviews

Dixie
10 May 2006 | by (United States) – See all my reviews

In the movie Dixie (1943), it was apparent that at this civil war time entertainment there were different styles of dance emerging. During this time it became a popular diversion to spend evenings at a minstrel theater. Straying away from the traditional opera or ballet, minstrels offered a new sense of entertainment which promoted the class system. Fortunately our society today is accepting African Americans and prejudices are less prevalent. Subsequent to professional minstrelsy's decline in th 20th century, its appeal continued in the south. Though Minstrels proposed stereotypes, some good did result from this type of entertainment. These shows presented black performers the opportunity to build a foundation which later helped many of them to emerge as successful entertainers.

Minstrel shows exposed a wide selection of audiences to this unique type of entertainment. With its combination of eccentric dancing and diverse music, people enjoyed the allure of the entertainment. Closely similar to tap dancing, it boasted innovative and bizarre movements' pairs wit flamboyant eye-catching costumes.

This type of amusement contributed to later types of dancing and entertainment. As a big benchmark in the industry, without minstrels played a role in what dancing has evolved into presently. Without minstrels, who knows if the great such as Dizzy Gillespie, W.C Handy, and Bert Williams, would have been as successful as they were.


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