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December 7th (1943)

 -  Action | History | War
6.4
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"Docudrama" about the bombing of Pearl Harbor on December 7th, 1941 and its results, the recovering of the ships, the improving of defense in Hawaii and the US efforts to beat back the ... See full summary »

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Title: December 7th (1943)

December 7th (1943) on IMDb 6.4/10

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Cast

Complete credited cast:
...
...
Mr. 'C'
...
Ghost of US sailor killed at Pearl Harbor
Paul Hurst ...
World War I Ghost Soldier
...
Single Voice of the Dead Servicemen (voice)
James Kevin McGuinness ...
Narrator (voice) (as James K. McGuiness)
Rest of cast listed alphabetically:
Addie Allen ...
Herself
James E. Kelley ...
Himself
Mrs. James E. Kelley ...
Herself
Mrs. William J. Leight ...
Herself
William J. Leight ...
Himself
Henry L. Rosenthal ...
Himself
Mrs. Henry L. Rosenthal ...
Herself
Mrs. William H. Schick ...
Herself
William H. Schick ...
Himself
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Storyline

"Docudrama" about the bombing of Pearl Harbor on December 7th, 1941 and its results, the recovering of the ships, the improving of defense in Hawaii and the US efforts to beat back the Japanese reinforcements. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Genres:

Action | History | War

Certificate:

Unrated
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Details

Country:

Language:

Also Known As:

December 7, 1941  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(restored) | (war workers') | (Academy Award) | (original theatrical)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

John Ford was brought in to re-shoot some scenes, shoot new ones and re-edit the film after the Army expressed its displeasure with the results of original director Gregg Toland. See more »

Crazy Credits

The War and Navy Departments, producers of the movie, are credited orally by a narrator. See more »

Connections

Edited into The Winds of War (1983) See more »

Soundtracks

Auld Lang Syne
Traditional
Lyrics by Scottish poet Robert Burns
Sung with Japanese lyrics by schoolchildren
See more »

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User Reviews

Historical curiosity
8 May 2003 | by (Deming, New Mexico, USA) – See all my reviews

Greg Toland, a phenomenal and temperamental cinematorgrapher ("Citizen Kane" inter alia) wanted to be a director instead of a photographer, and this is basically his film. As part of Ford's Field Photo group he was assigned this project, which was to explain how and why Pearl Harbor could have happened.

Toland was a better photographer than a director. Very little documentary footage of the Pearl Harbor attack existed. Most of what was available was shot after the attack, sometimes days later. So Toland organized a lengthy (some 80 minute-long) version of events by restaging the attack both in Hawaii and on the studio lots in Hollywood.

The rather long prologue is like a cartoon. Walter Houston is dressed in an Uncle Sam costume and has a sort of argument with his conscience before the attack. Oh, sure, Uncle Sam admits, there are some traitors among the hyphenated Japanese but they're a negligible threat. We get to hear Philip Ahn (a Korean) explain that Shintoism is Japan, and Japan Shintoism, and that Hirohito is the direct descendant of God, which must have gone over well with Christians.

The attack itself is reasonably well done for the time but embarrassing to watch now. American dive bombers pose as Japanese. The model work, with tiny airplanes on strings, is obvious. Cardboard ships explode into slivers in a tank. Non-actors pose as American servicemen and die Hollywood deaths, twisting and falling gracefully. The narrator tells us that the whole deal might have been different if an inexperienced lieutenant had heeded the radar warning of a subordinate, which is true, but which couldn't be admitted at the time. The result was an unshowable movie.

Ford and his editor, Robert Sherwood, were called in to try salvaging it by cutting it down to about half an hour. Ford may or may not have added any shots. Only one of them resembles something he might have done. (A chaplain saying mass cuts it short, makes the sign of the cross, and says, "To your battle stations, boys.") Of course Ford's name is on the credits as director. He was John Ford. But it isn't his picture.


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