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Overview
User Rating:
Director:
Writers:
Jo Swerling (screenplay)
W.R. Burnett (story)
Release Date:
22 April 1943 (USA) more
Tagline:
Tyrone Power -- Leading a reckless crew on the war's most daring mission! Battling death in a depth-bombed submarine! Blasting Nazis on a bold Commando raid! Finding love in precious, stolen moments! Crashing his way to unforgettable glory in...
Plot:
A submarine lieutenant and his commander fall in love with the same girl. full summary | add synopsis
Awards:
Won Oscar. more
User Comments:
Propaganda movie with a love triangle thrown in more (12 total)
Cast
(Complete credited cast)| Tyrone Power | ... | Lt. Ward Stewart (as Tyrone Power U.S.M.C.R.) | |
| Anne Baxter | ... | Jean Hewlett | |
| Dana Andrews | ... | Lt. Cmdr. Dewey Connors | |
| James Gleason | ... | Chief Mike 'Mac' McDonnell | |
| Dame May Whitty | ... | Grandmother | |
| Harry Morgan | ... | Brownie (as Henry Morgan) | |
| Ben Carter | ... | Oliver Cromwell Jones |
Additional Details
Parents Guide:
Runtime:
106 min
Country:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
USA:Approved (MPAA rating: certificate #8371) | Canada:PG (video rating) | Netherlands:12 | Australia:PG | Finland:K-16 | UK:U
Filming Locations:
Fun Stuff
Trivia:
The PT boats seen at the beginning (and for a brief moment, at the end) of the film are Elco 77-foot PTs, the type of boat that saw intense combat against the Japanese Navy's "Tokyo Express" in the Guadalcanal area early in World War II. The wartime second-series Elco 77-footers, which were the same type as PT 59, John F. Kennedy's second command after PT 109 was rammed and sunk, are seldom seen on film, and hardly ever in color. more
Goofs:
Continuity: As Lt. Ward Stewart arrives on the dock to meet his new command, two Gato class submarines are seen leaving the dock. From the camera on the dock, they are traveling at, roughly, full reverse (stern first) the shot then alternates several times to the boats obviously moving at, more or less, full ahead (bow first). It's pretty easy to tell which end is which on a WW2 era submarine. more
Quotes:
Oliver Cromwell Jones:
Mac, it's none of my business, and it certainly isn't up to me to give you advice, but if I had a weak heart ...
Chief 'Mac' McDonnell:
What are you talking about?
Oliver Cromwell Jones:
A man don't take nitroglycerine for dandruff.
more
Movie Connections:
Featured in "Fejezetek a film történetéböl: Amerikai filmtípusok - Egyén és társadalom (#1.7)" (1989) more
Soundtrack:
Anchors Aweigh more
FAQ
This FAQ is empty. Add the first question.more (12 total)
Message Boards
Discuss this movie with other users on IMDb message board for Crash Dive (1943)| Recent Posts (updated daily) | User |
|---|---|
| One interesting scene | sherlock-37 |
| Similarity to 'We dive at dawn' | omoo22 |
Recommendations
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| U-571 | Action in the North Atlantic | Tora! Tora! Tora! | Destination Tokyo | The Guns of Navarone |
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |

Fantastic special effects highlight this World War II submarine drama starring Tyrone Power, Dana Andrews, and Anne Baxter - Power's last before going into the Marines.
Power is charming as a man who captures the heart of Anne Baxter, who though he doesn't know it, just happens to be the girl of Dana Andrews, Power's new commanding officer.
Out on the submarine, there's some exciting action as the sub searches for a secret base set up by the Nazis. One interesting subplot is the friendship of Oliver, a black soldier, with Mac, portrayed by James Gleason. Ben Carter, who played Oliver, does a great job, and his role as a concerned friend and brave soldier is not the usual stereotypical one blacks were often forced to play.
The ending, of course, is pure propaganda as Power, supposedly talking to his uncle, talks about the fighting men, subs, PT boats, and the like all doing their job. I'm in no way trying to denigrate it - propaganda is a fascinating part of film history and at that time was deemed important to the war movement. It's all very interesting to view today. And Power is gorgeous.