Corregidor (1943) User Reviews

The contrast between A and B pictures

[bkoganbing · 4/10 · 17 December 2016]

Corregidor is an object lesson in how to make a cheap movie on a given subject. Contrast it to the two films made at MGM about the same period of World War II, Bataan which starred Robert Taylor and later on They Were Expendable which John Ford made at MGM. If ever there was a contrast between the lavish Tiffany Studio of Hollywood and a poverty row outfit like Producer's Releasing Corporation this is it.

Additionally They Were Expendable had a romance between John Wayne and Donna Reed just as this film has a triangle romance with nurse Elissa Landi caught between doctors Otto Kruger and Donald Woods. In Corregidor the whole thing is rather forced with some awful dialog. With a master director like John Ford it was understated and effective and done in Ford's sentimental style.

This was Elissa Landi's farewell film. Five years later she would be dead of cancer. Both Donald Woods and Otto Kruger were in a lot of far better films than Corregidor.

Still the acting is sincere and it does raise it above the average of the usual product from PRC.

A Muddled Mess with a Kernel of Good Acting

[lawprof · 4/10 · 11 April 2004]

Formula: A Woman in Love with One Man Marries Another + Insidious Japanese Attack on American Territory + A Surgical Theater's Romantic But Unconsummated Menage a Trois=A Movie That Can't Decide What It's About.

*****

The Japanese December 1941 invasion of the Philippines, culminating in the surrender by General Wainwright of all forces under his command in early 1942, is still America's greatest military catastrophe. The defense and ultimate loss of the obsolete island fortress of Corregidor, here immortalized (less rather than more) in the film of the same name was, with the fall of the archipelago, a far more serious geo-strategic blow to America than Pearl Harbor.

In 1943 veteran director William Nigh, a man who successfully transitioned from the silents to the talkies and who directed dozens of mostly forgettable films, made "Corregidor." His three stars were successful screen actors. Playing a doctor, Dr. Royce Lee Stockman, Elissa Landi, once a beauty, brought some depth to the story of a woman who traveled to the Philippines to marry one doctor while carrying a bright torch for another, an army medico named Michael who just happened to be stationed in the territory. She weds Dr. Jan Stockman (Otto Kruger, playing a nice guy for a change) the night before the Japanese air attack that presaged the invasion.

Together with ragtag army troops, the couple reaches Corregidor where Michael is encountered. The trek through the backlot jungle provides a preview of some of the most unrealistic war scenes filmed anytime between 1939 and 1945.

Idealistic Jan recognizes his bride's undiminished love for Michael and almost like a quintessential (but probably rare) English gentleman he urges her to go to him. This being 1943, no intimacy is shown or suggested.

In any event, history takes its course and Corregidor falls but not before some of the women, including Royce are flown out (in reality, American army nurses were captured by the Japanese and while they were spared the horrors of the Bataan Death March, they didn't exactly have a nice time for the next three years either).

The film is stolidly preachy about the virtues of democracy with declamations by the actors having the "Now for a message from our government" tone. The use of stock military footage reaches the asinine with no attempt to make planes uniform. A monoplane begins a bombing run that is concluded by a biplane. No excuse for that. Also, apparently to save time and money, the same shots of Japanese soldiers falling dead to the ground are recycled at several points.

One historical curiosity: Royce's maid, killed at the beginning of the movie, is Ruby Dandridge, mother of Dorothy.

Much more could have been done with this story and its experienced lead cast.

4/10

I want to die fighting the Japanese.. Not from starvation or malaria!

[sol1218 · 5/10 · 17 February 2005]

(Some spoilers) A bit more accurate then the usual war movie that was cranked out of the Hollowwood studios during the Second World War. "Corregidor" honestly portrays the heroic US and Phillipino siege of the island fortress known as "The Rock. Corregidor held off massive Japanese attacks from land sea and air from the time that Battan fell on April 9, 1942 to it's eventually surrender to the Japanese imperial forces on May 6, 1942, a total of 28 days.

The movie starts on December 6, 1941 at Manoi in the Phillippines with Dr. Royce lee coming to the islands with her live-in maid Hyacinth, Ruby Dandridge, from New York City. Royce meets her long and forgotten, on his part, love Dr. Jan Stockman, Otto Kruger, and in less then 24 hours the two lovebirds get married.

After The Wedding, December 7,1941,the Japanese air force strikes the wedding party as well as all the US bases in the Pacific West of Hawaii, notably Perl Harbor getting the USA into WWII. The surprise Japanese attack Kills the presiding priest, Frank Jaquet, as well as Hyacinth among other guests at the ceremony.

Going north away from the advancing Japanese army the two, Jan & Joyce, link up with a group of US soldiers and travel, through the jungle and over the waters of Minila Bay, to the island of Corregidor for the US army's last stand against the Japanese. We then have a really schmaltzy love triangle between Jan Joyce and an old flame of her's back from her medical school days in New York US Army Dr. Michael, Donald Woods.

Dr. Michael dumped Joyce back then when she, being a blue blood and having lots of the green stuff, rented an office for Dr. Michael's medical practice on the fancy and prestigious New York's Park Ave. The guy could have evened things out by not charging fees to his clients for his services if he had such a violent dislike for making money.

While on the island we also have another war love story between US Army nurse Hey-Dutch Van Doren, Wanda McKay, and her US Army boyfriend Cpl. Pinky, he's called Pinky that's because he'll so large, Mason, Rick Villin. Both Pinky & Hey-Dutch end up getting killed in the fighting. Hey-Dutch from a Japanese aerial bombardment and Pinky from being machine gunned, by a Japanese Zero fighter plane, that he also shot down from his tail-gunner position on the last plane out of Corregidor.

On the island Jan changes his mind about getting married to Joyce, this after three short months, and dumps her, like Dr. Michael did, back into Dr. Michael's lap. Jan also solves the problem of Joyce being torn and divided between him and Dr. Michael by having himself get killed by a Japanese bombardment. Leaving Joyce free to marry Dr. Michael, but even that didn't go too well with Joyce being forced to leave the island as Dr. Michael stayed behind to be either killed or captured by the invading Japaneses troops.

I found the love triangle and love story,between Jan & Joyce & Dr. Michael as well as Pinky and Hey-Dutch, far more interesting the the battle action scenes themselves.

WWII on the cheap!

[planktonrules · 3/10 · 9 August 2016]

The Battle of Corregidor involved hundreds of thousands of troops and tons of airplanes, tanks and ships. Tiny little Atlantis Pictures tried to capture it...on the cheap. Instead of hundreds of thousands of troops, you might see a dozen or so. And instead of modern equipment, they use a lot of stock footage--though at least many of the planes are actually Japanese (unlike many other US films which used Dauntless or Texan aircraft and tried to pass them off as Japanese Mitsubishi fighters). I say many because sometimes the clips are all wrong...but at least they're more right than wrong! As for the backgrounds, they are VERY cheap and the jungle set is almost laughably bad.

The story involves a couple of doctors who, one minute are going to break up and the next they get married. Soon their honeymoon turns crap when the Japanese attack...and they spend the rest of the film trying to survive. She's really in love with another guy--so you can guess where it goes next. Otto Kruger, Donald Woods and Elissa Landi are fine in the movie, though the trio aren't exactly leading stars (especially Landi)...which isn't surprising with an Atlantis film. They simply couldn't afford a Clark Gable, Jimmy Cagney or Pat O'Brien.

So is it any good? Not especially. Mostly the Japanese just line up waiting to be easily shot...and if Corregidor was really that easy the United States/Filipino forces would have won that battle!! But at least the Japanese aren't drooling animals like they were in many other American films of the day* (entertaining...yes...but not exactly realistic). Everyone tries their best but with the film's many limitations it manages only to be slightly entertaining and not much more.

*I've seen some Japanese and German wartime films and the Americans are every bit as subhuman or one-dimensional in them as well.

Disappointing production with little drama or character development

[spcummings · 3/10 · 22 January 2004]

Recently distributed in DVD, this movie was a disappointment. It takes a unique tact to bring noncombatants into a war film; an idea that should have been a basis for a great story. The missionary doctor and the brave bride hardly get any character development throughout the film. The story is one of a dedicated missionary doctor in the Philippines, who is surprised by the arrival of a former lover. On 6 December, 1941, she has followed the missionary doctor to marry him. He is surprised as he had disregarded the letter, being busy in his research. But, her real love is an Army doctor, currently stationed at Corrigidor. The Japanese attack happens at the close of the wedding ceremony. That begins a 600 miles journey through the jungle, with terribly directed combat scenes and with poorly dramatized suffering. Although we expect some period gloss over suffering and combat, the scenes are very poorly presented. At Corrigidor, the battle progresses, the three friends/lovers are reunited, and the devastating losses mount. I'll leave the ending to the viewer, but it is convincing neither in tone nor emotion. In 1943, there were probably not many technical advisers on the last scenes at Corrigidor, but suffice it to say, the last departees were not leaving on C-47s. I appreciate period pieces, and allow for the oversights, glamorization of the 1940's scripts and productions. And the patriotic message was both expected and deserved by the men and women who struggled on Corrigidor and throughout the Philippines. But, this is just poorly done, and loses all its punch. Too bad for a potentially great story line, in an honestly heroic setting. Having visited Corrigidor, I was hopeful for a powerful, though period based piece. The film was disappointing on all counts.

This is not the WWII movie you are looking for.

[jt_3d · 2/10 · 5 October 2009]

Pants, baggy, sweaty pants. Not even good for the WWII 'pump up the home front so they buy bonds' circuit. It seems like a combination of two scripts, neither of them very good. Is it a love story? Maybe for the first few minutes. Is it a war movie? Sort of, in that there are guys getting shot in a cartoon fashion. This movie doesn't seem to know what it wants to do.

An attempt is made to show the fall of Corregidor but somebody wanted to add an element of a love triangle. It didn't work then and it didn't work for Pearl Harbor. At least Pearl took a lot of time to try to make both sides work. Corregidor didn't even bother to make one side work. I cared more about Hey Dutch and Pinky than I cared about any of the three main characters.

Add in really lousy stock footage of various US planes being passed off as Japanese planes and this thing screams mass production. It also whispers silent movie, like the one part where the Doc goes in to do some surgery and there's no more gloves. It's all pantomimed, like a silent. Except this is 1943! If this had been made in the 30s I could forgive a lot of the flaws but this pig was made well into the 40s and there's just no excuse other than being a cheap knock off. Frankly I find it insulting to the men and women of Corregidor. It should have a real remake except most everybody that was there is probably dead by now so all you'd get is more Hollyworld hogwash.

2/10

Grandfather of MASH

[jayraskin1 · 7/10 · 3 March 2011]

This is a very humanistic film. It shows the bravery, suffering, humor and strength of both men and women who were defending an island in the Phillipines called Corregidor in the first five months of World War II. I think it was meant to be a tribute to those men and women and I think it works as a tribute.

Unfortunately the DVD copy, as most reviewers have mentioned, is not very good. I am not sure if the problem is in the print used or the transfer. It is possible that the print had faded, so there was little that could have been done. It would be nice to see a good print if one exists with a good transfer.

The movie is a little bit of everything, some light, romantic scenes, some comradely kidding scenes, some strong gutsy speeches, and a lot of battle action. Hanging over these elements and keeping them from being enjoyable is the notion that this was ultimately a hard, military defeat. Surprisingly, an almost equal number of Americans and Japanese are seen dying in the battles.

When this film was made in 1943, the war still going on. Corregidor was only recaptured in 1945. 800 Americans were killed and some 11,000 American and Philipinos were still prisoners of war when the film was made. The Japanese lost 900 men. A simple operation that was supposed to take only a few weeks, ended up taking them five months. The time and manpower they lost was crucial and hoped set up the defeats the Japanese suffered in the next few months of the war.

This is actually a much grittier, more heartfelt and less romantic view of this battle than the popular John Ford/John Wayne movie made about it two years later, "They Were Expendable". That was a satisfying Hollywood movie that was more of a celebration than a tribute. There is little in that film of the gloomy atmosphere that appears in this film.

The script by Doris Malloy and great low-budget filmmaker Edgar Ulmer is fine. Direction by veteran director William Nigh (this was number 106 out 120 films) is crisp. The battles in the second half of the film do seem to dominate the human characters. None of the battles are spectacular and they become a bit monotonous and even boring. Perhaps that is better than the glamorous and exciting battles that one so often finds in Hollywood war movies. It gives the film a somber, rather than a Gung-Ho tone and message.

This is not a great movie, but it is a good one worth watching, even on a DVD copy of a bad print.

Island of Love

[wes-connors · 2/10 · 19 April 2008]

While the United States and Japan duke it out during World War II, doctors Otto Kruger (as Jan), Elissa Landi (as Royce), and Donald Woods (as Michael) must sort out their "love triangle." On the strategically located Philippine island of "Corregidor", the good doctors get to see some of the war action. Stock footage is flown in. Of course, Ms. Landi, being a "lady doctor", is protected from viewing "mutilated" corpses. Right. Although it isn't enough to recommend the film, Rick Vallin (as Pinky Mason) and Wanda McKay (as Hey Dutch) are relatively entertaining.

"Dedicated to the United States and Philippine Armed Services"

** Corregidor (3/29/43) William Nigh ~ Otto Kruger, Elissa Landi, Donald Woods

Could have been better

[goldfussmikey · 6/10 · 9 October 2018]

Reminded me of MASH and had potential but it was a general B movie

Possibly the worst film I've ever seen

[anghmho · 22 May 2011]

Good subject (Corregidor under siege) crapped up by an apparently nonexistent script, a ridiculous story, cartoon-like fighting scenes, and monkey-ugly villains.

Every scene has something wrong with it. The defenders are running out of water, but everybody is clean shaven and they all have clean uniforms--with neckties! They are on emergency rations, but everybody looks very well fed. And near the end, the nurses make a getaway on the last plane out of Corregidor (pretty good trick when there weren't any planes left on Corregidor). This plane is a flying boat, which is what is sounds like--a big, floating target extremely unlikely to have survived the siege. This was a commercial plane that didn't have any guns, except this one did--a water-cooled machine gun in the tail--without water. And of course, this is where the tail gunner, one of our heroes, is killed successfully defending the getaway plane against an attacking Japanese plane piloted by a monkey look-alike.

Production values are nonexistent. Good films have been made on limited budgets, but this isn't one of them.

Lesser American WW2 B-movie

[Leofwine_draca · 4/10 · 28 November 2016]

CORREGIDOR is your usual gung-ho American WW2 film set in the Philippines. Like many films which utilise that theatre of war as a backdrop, it goes for a B-movie approach and as such is only interesting as a dated curio, although it's worth remembering that this was made contemporaneous with the war itself so there are propaganda elements here.

Basically, the story of the film is to chart the progress of doctors, nurses, and soldiers as they exist on an island that is constantly being besieged by Japanese troops. CORREGIDOR is rather episodic in nature, featuring some frenetic battle action followed by a lull filled by some light humour and romance, and then going back to a battle around ten minutes later. It's basic stuff, lacking any decent actors to do their roles justice, and even Otto Kruger feels hammy. Some parts of the film do tell rather than show and it all gets a bit preachy at the end.

Not For Millennials - Corrigador

[arthur_tafero · 6/10 · 12 February 2023]

Please ignore the reviews of some of the millennials which are posted for this film; they just do not understand the time period and the emotional atmosphere of the US in 1942. When this film was made, the US was getting pushed around pretty good in the Pacific; it was not until Guadalcanal a year or so later that the US won its first land battle in the area. This film shows the unpreparedness of the US Armed forces in the Pacific at the time. Military units were basically using WW 1 tactics for fighting a modern war, and the Japanese were well ahead of the US technically in several areas in 1942. However, the might of US manufacturing and the will of the US fighting man soon overcame these temporary deficiencies. This film, being made precisely in that time period, along with a few other films of that time period, depict the hopelessness and despair that most US military personnel had to endure privately. Publically, they put on a brave front, as depicted in the film. Yes, there are several corny scenes, and the film is dated in some places. But it certainly captures the atmosphere of the time period. Things were not PC in those days, and the dialogue reflects that. That's just the way it was. So, this film is for adults, not millennials, who want everything to be PC.

Wanted to be Casablanca. Good movie to laugh at.

[shampoojones · 25 August 2004]

This is not a good film to watch unless you're into watching films and making fun of them like me and my friends do.

Corregidor was made a year after Casablanca and it seems to me that the makers of Corregidor were clearly trying grab some of the Casablanca fans. It is, however, not anywhere near the quality of Casablanca.

"Doctors on Corregidor sort out a love triangle while fighting the invading Japanese forces. [1943] with Otto Kruger & Donald Woods. Approximately 1 hour, 6 minutes - B/W."

I enjoyed laughing at most of this film but two of my favorites are Sgt. Mahoney, (Frank Jenks), and a nurse named "Hey-Dutch", (Wanda Mckay). Mahoney is always trying to crack jokes at the worst times and "Hey-Dutch", well, her name is stupid! Ah, good times, good times.

The DVD recording I viewed of the film was not that good but I'm sure the original film has deteriorated over time.

An interesting tidbit of trivia is that Ruby Dandridge played a minor part as Hyacinth. Ruby is the mother of Dorothy Dandridge.