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Le Corbeau: The Raven (1943)
"Le corbeau" (original title)

7.6
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Ratings: 7.6/10 from 5,592 users  
Reviews: 41 user | 42 critic

French village doctor becomes target of poison-pen letters sent to village leaders, accusing him of affairs and practicing abortion.

Director:

(as Henri Georges Clouzot)

Writers:

(scenario), (adaptation), 1 more credit »
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Cast

Cast overview, first billed only:
Pierre Fresnay ...
Le docteur Rémy Germain
Ginette Leclerc ...
Denise Saillens
Micheline Francey ...
Laura Vorzet
Héléna Manson ...
Marie Corbin, l'infirmière
Jeanne Fusier-Gir ...
La mercière
Sylvie ...
La mère du cancéreux
Liliane Maigné ...
Rolande Saillens
Pierre Larquey ...
Michel Vorzet
Noël Roquevert ...
Saillens, la maître d'école
Bernard Lancret ...
Le substitut
Antoine Balpêtré ...
Le docteur Delorme (as Antoine Balpétré)
Jean Brochard ...
Bonnevie, le trésorier de l'hôpital
Pierre Bertin ...
Le sous-préfet
Louis Seigner ...
Bertrand
Roger Blin ...
François, le cancéreux du 13
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Storyline

A vicious series of poison-pen letters spreads rumours, suspicion and fear among the inhabitants of a small French town, and one after another, they turn on each other as their hidden secrets are unveiled - but the one secret that no-one can uncover is the identity of the letters' author... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

Une petite ville comme il en est tant en France. [Original Version] See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 September 1943 (France)  »

Also Known As:

The Raven  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Wide Range Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When France was liberated from the German occupation, some crew and cast members of the film were suspended from working in the film industry because they had worked for Continental Films, a German company: actor Noël Roquevert was suspended for 3 months, production designer Andrej Andrejew for 9 months, actress Micheline Francey for a year, and the director Henri-Georges Clouzot for two years. See more »

Quotes

[first lines]
Le docteur Rémy Germain: [washes blood off his arms] I saved the mother.
Grand-mother: And the baby?
Le docteur Rémy Germain: No.
See more »

Connections

Referenced in Delicatessen (1991) See more »

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User Reviews

Dark And Subversive
28 October 2010 | by (Dallas, Texas) – See all my reviews

Someone unknown sends a series of slanderous letters to various people in a small French town, the motive apparently being to drive a local medical doctor out. The letters are signed: "The Raven".

On the face of it, the story is a kind of whodunit. Who is the Raven, and what motivates him or her? That's the mystery. There's no shortage of suspects, including the very doctor who supposedly is being hounded.

But the film, released during the dregs of the Nazi regime in Germany, contains relevant political subtext and themes, not the least of which is the idea that someone, anyone, can be an informer. Knowing a town's dirty little secrets, the rumors, people's weaknesses and vices can be deadly in the hands of someone with a penchant for writing, and a desire to tell all. What the raven writes is to some extent true. And the truth turns the townsfolk against each other.

The raven, as an anonymous entity, functions as a whistle blower, a snitch, a spy, a secret agent, a kind of Deep Throat. Thematically, the film is dark and subversive.

The film's B&W lighting is noirish and effective. I especially liked the sequence where a naked light bulb hanging down from the ceiling gets swung back and forth, like a pendulum, as two characters converse about moral pendulums of right and wrong, sanity and insanity, light and darkness. Where does one begin and the other end, asks a character.

Although "The Raven" gets off to a slow start, the plot and the thematic import do pick up. Two-thirds in, the film curves deep, both as a whodunit and in its cinematic statement on the issues germane to whistle blowing and informing.


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