Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's ... See full summary »
Vincent Van Der Lyn, a Dutch freedom fighter in WWII, is forced to neutral Lisbon to escape the Nazis. There he meets a small band of underground conspirators. The group's leader, Ricardo ... See full summary »
A group of French soldiers during WWII are captured by Nazis troops and sent to a military prison. There they will have to make use of his best resources to keep alive... and sane, while at the same time scheming a way out.
Nurse Anne Lee blames herself for a fatal mistake of her sister Lucy, who also is a nurse. Anne loses her job, and gets a new one at a poorly equipped country hospital. There she falls in ... See full summary »
Susan is about to be married, but the wedding may get called off after her fiancee summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive ... See full summary »
William A. Seiter
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »
Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is ... See full summary »
Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's father dies, Lewis contacts her late mother's wealthy family so they'll take care of Tessa and her sisters. Lewis becomes taken with Tessa's haughty cousin Florence and the two soon marry and head off for Florence's estate in England. Meanwhile, Florence sends Tessa and her sister Paula off to finishing school. The girls run away from school and Tessa moves in with Florence and Louis. Florence soon becomes consumed with jealousy over the bond between her husband and Tessa. Written by
Daniel Bubbeo <email@example.com>
The "inside" of the Sanger's house (Tessa's house) was previously used for the "inside" of the house of Brewster Sisters in Frank Capra's Arsenic and Old Lace (shot in 1941, released in 1944). The Constant Nymph was made in 1942 after the shooting of Arsenic and Old Lace was finished. See more »
In this last and only American version of The Constant Nymph the omnipresent Code had to be dealt with rather delicately in order for this film to get to the big screen. It involves nothing less than a middle aged man falling in love with an underage girl. No wonder the original casting of Errol Flynn was scratched by Jack Warner.
In 1943 as Robert Osborne said rather delicately himself, Flynn was having some 'legal problems'. He sure was, he was facing a charge of statutory rape and was fighting for his career. No wonder he was scratched and Charles Boyer substituted as the pianist/composer. Even without the rape charge I don't Flynn would have been suitable casting in that role in any event.
But it was Joan Fontaine who got the Oscar recognition with a nomination for Best Actress playing a teenager of barely legal age who has a congenital heart problem and who charms Boyer. In the original novel and the play made from it, Boyer's character actually runs off with the Fontaine character.
Some of the same territory was tread on by Billy Wilder in The Major And The Minor, but Ginger Rogers was only pretending to be an adolescent.
Boyer meets Fontaine and her siblings Brenda Marshall, Jean Muir, and Joyce Reynolds at the home of their father Montagu Love. When he dies the girls go to their uncle Charles Coburn to live, except Marshall who marries Peter Lorre. That in itself is something, how often does Peter Lorre get the girl? Boyer marries Coburn's daughter Alexis Smith, but Smith senses something wrong and develops a jealousy of Fontaine. Turns out that while Boyer doesn't do anything, she's right to be suspicious.
The novel by Margaret Kennedy was turned into a play by Basil Dean and debuted in London with no less than Noel Coward and Edna Best in the leads. It ran 148 performances on Broadway in the 1926-27 season and two film versions across the pond were made, a silent with Ivor Novello and another sound version that starred Brian Aherne who would later marry Joan Fontaine. I'd be curious to see how the whole May/September romance was handled there.
Fontaine lost the Oscar that year to newcomer Jennifer Jones who was also playing a juvenile of a different kind in The Song Of Bernadette.
The Constant Nymph is a strange yet curiously winning film. One wonders how the story would be done today in a film.
4 of 5 people found this review helpful.
Was this review helpful to you?