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Erik Toresen, widower and fishery observer, leads a quiet life in a small Norwegian town; but after the Nazi occupation, German abuses lead Erik to form a Resistance group. After a killing, Erik flees to the wilderness and finds a secret German air base; he resolves to escape to England with its location. Written by
Rod Crawford <email@example.com>
When Eric Toresen (Paul Muni) left his daughter at Mrs. Olav's house and went into the mountains, he left behind the jacket he arrived with. Later after coming back down from the mountain, and without returning to Mrs. Olav's place, he has his jacket on again. See more »
No one s going to get victory as a gift, Anna. We will get only what we earn.
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(opening dedication) Dedicated to the officers and men of the armed forces of Canada, Great Britain and Fighting Norway who participated in the filming of this picture. See more »
"Commandos Strike at Dawn," from 1942, is another propaganda that demonstrates the spirit of the Norwegians and their commitment to resistance. This one is directed by John Farrow, with a screenplay by a man whose name would become synonymous with long novels, Irwin Shaw, and stars Paul Muni, Anna Lee, Lillian Gish, Cedric Hardwicke, Alexander Knox, George MacCready, Ann Carter, Rosemary DeCamp, and Ray Collins.
Based on a story by C.S. Forester, "Commandos Strike at Dawn" tells the story of more victims of Quisling, citizens of a small town that is taken over by the Nazis. After Eric Toresen (Muni) sees a friend murdered and another one (Collins) severely beaten, he gets some of the townspeople to form a resistance group. When he realizes that the Germans are preparing for a huge air strike against England, he is determined to get the information to the right people in England and join the fight.
Very good film, if a little slow in spots. Muni gives an excellent performance as the bold Toreson, and Ray Collins, Lt. Tragg of Perry Mason, is cast against type as one who vocally opposes the Nazis, and he is very good. This was probably his favorite role, as it's so different from his standard tough cop or crooked politician role. Lillian Gish doesn't have much to do, sadly, as his wife. Neither does Anna Lee, as the daughter of a British military man (Hardwicke) who falls for Muni.
Someone commenting here said that this film, and probably by inference, Edge of Darkness, exaggerates the role of the underground in Europe, that most Europeans were passive during the war, afraid of reprisal. That may have been true in some areas - Germany most definitely - but that was not true in France and Norway, both of which had formidable resistance movements. Some people don't like bullies.
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