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Clancy Street Boys (1943)

 -  Comedy  -  23 April 1943 (USA)
7.5
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Ratings: 7.5/10 from 412 users  
Reviews: 5 user | 1 critic

Muggs' rich Uncle Pete is coming to visit. Unfortunately, Muggs' late father had bragged that he had seven kids, so Muggs recruits the members of the gang to pose as his family--including ... See full summary »

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Title: Clancy Street Boys (1943)

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Cast

Complete credited cast:
Leo Gorcey ...
Huntz Hall ...
Bobby Jordan ...
Danny
Noah Beery ...
Pete Monahan
Amelita Ward ...
Judy Monahan (as Lita Ward)
Benny Bartlett ...
Benny
Rick Vallin ...
George Mooney
William 'Billy' Benedict ...
Butch - Cherry Street Leader (as Billy Benedict)
J. Farrell MacDonald ...
Police Sgt. Flanagan (as J. Farrell McDonald)
Jan Rubini ...
Violinist - Nightclub Entertainer
Martha Wentworth ...
Mrs. Molly McGinnis
Ernest Morrison ...
Scruno (as Sammy Morrison)
Dick Chandlee ...
Stash
Eddie Mills ...
Dave
George DeNormand ...
Williams
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Storyline

Muggs' rich Uncle Pete is coming to visit. Unfortunately, Muggs' late father had bragged that he had seven kids, so Muggs recruits the members of the gang to pose as his family--including Glimpy as his sister, "Annabelle." Things turn sour, however, when a local mobster finds out about Muggs' deception and threatens to expose it. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Anything goes, everything happens in the funniest hit the tenement terrors have ever made!

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

23 April 1943 (USA)  »

Also Known As:

Grand Street Boys  »

Box Office

Budget:

$85,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (2005 DVD release)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Goofs

Leo Gorcey's character name is spelled "Mugs" in the credits, but as "Muggs" in the film, when it is seen printed in a letter. See more »

Connections

Follows Bowery Blitzkrieg (1941) See more »

Soundtracks

One O'Clock Jump
(1933)
Written by Count Basie
Played at the nightclub for dance music
See more »

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User Reviews

 
East Siders Back Up Muggs.
27 May 2005 | by (Mountain Mesa, California) – See all my reviews

During the course of the second manifestation for Leo Gorcey's mini-mob players, the East Side Kids, who followed the Dead End Kids, while preceding the Bowery Boys, producer Sam Katzman hired veteran director William Beaudine for the East Side series due to his established success at leading movie youngsters and this quite effective Monogram release is the initial effort with Beaudine at the helm. The mother of young Muggs McGinnis (Gorcey) shares with him a letter received from his late father's close friend, "Uncle" Pete, a wealthy Texan, in which Pete tells of an impending visit by him and his daughter Judy to the McGinnis home in New York where the rancher expects to meet for the first time the five brothers and the sister Annabelle of Muggs, non-existent siblings invented by the widow McGinnis in order to receive Pete's financial support over many years. Muggs conscripts his East Side roustabout cohorts as his family, with Glimpy (Huntz Hall) dressed as Annabelle, and when Uncle Pete and Judy arrive in New York, confused jollity ensues, until a local thug plots to expose the impersonation as a means of obtaining some of Pete's wealth for himself. The film, produced with a virtually non-existent budget, has a virtually non-existent script, as well, with ad libbing contributed by most of the cast, notably Gorcey with his rather fascinating employment of malapropisms, all very compatible to Beaudine's loose-reined directorial mode. His relaxed methods must also take responsibility for some ragged performing, and there is need for more efficient editing, but this comedic affair eschews the wonted wartime jingoism that marks the series, and Hall is enormously and unexpectedly hilarious in his gender bending role, joining the other members of the cast in patent enjoyment of playing in this entry.


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