One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of...
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Kuki, a divorced Italian socialite, changes her life after a serious car crash. She accepts a marriage proposal from Paolo Gallmann, a man she doesn't know well, and she moves to Kenya with... See full summary »
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's ... See full summary »
A young girl from the "sticks" comes to the city to live with her wealthy relatives. At first she is the objection of derision and made fun of because of her unsophisticated nature, but it ... See full summary »
A small radio station is saved of getting bankrupt by a backer, who invests money for a TV equipment, if the owner allows, that his dancing daughter Annabelle can dance and sing on the ... See full summary »
John H. Auer
For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold... See full summary »
Edward H. Griffith
Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an ... See full summary »
One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a song contained in the film, as happened in the case of this film when it was reissued as "Change of Heart" in 1949, and not known under that title until 1949. Not reissuing the film under the original title of "Hit Parade of 1943" had a two-fold purpose; the audiences of that era were not much interested in seeing a film twice, and a changed title-even when the original title was clearly shown in (very) small print in the ads and on the posters---had a chance of being seen again by that segment of the ticket-buying public who didn't read the small print. The plot here is just a trifle---Susan Hayward ghost writes songs for composer John Carroll, whose charms evidently outweighed his song-writing ability---... Written by
Les Adams <email@example.com>
The plot is so tiny it almost falls off the screen. Of course it's just an excuse for Hayward to look gorgeous and for the performance of a number of wartime hits. But what is remarkable here are the black performers, including Count Basie and Dorothy Dandridge and a pair of amazing male dancers. The central Sandman of Harlem number is outstanding.
The rest is pretty dull with John Carroll trying to be Clark Gable - but Eve Arden provides a few laughs and she works very well with Hayward.
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