One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of... See full summary »
A young girl from the "sticks" comes to the city to live with her wealthy relatives. At first she is the objection of derision and made fun of because of her unsophisticated nature, but it ... See full summary »
Hank Smith, a brutish stoker on board a freighter, is appalled when Mildred Douglas, a society girl forced by circumstance to travel as a passenger, visits the stokehold and recoils at the ... See full summary »
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene ... See full summary »
Joseph L. Mankiewicz
Edward G. Robinson,
"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
Mike, a famed racing driver and an old flame of hers, is worried that Laura may be ill. Tricking her into a doctor's examination, she discovers she is; a brain operation to remove a tumor ... See full summary »
Wounded while stopping the James gang from robbing the local bank, a cowboy wakes up in the hospital to find that he's been elected town marshal. He soon comes into conflict with the town ... See full summary »
One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a song contained in the film, as happened in the case of this film when it was reissued as "Change of Heart" in 1949, and not known under that title until 1949. Not reissuing the film under the original title of "Hit Parade of 1943" had a two-fold purpose; the audiences of that era were not much interested in seeing a film twice, and a changed title-even when the original title was clearly shown in (very) small print in the ads and on the posters---had a chance of being seen again by that segment of the ticket-buying public who didn't read the small print. The plot here is just a trifle---Susan Hayward ghost writes songs for composer John Carroll, whose charms evidently outweighed his song-writing ability---... Written by
Les Adams <firstname.lastname@example.org>
Although this was a dull film, the 20 year old Dorothy Dandridge was outstanding in this token production for marginalised performers. It was good to get Dandridge alongside of Susan Hayward, but as a self contained film it was diabolical.
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