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Behind the Rising Sun (1943)

5.5
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Ratings: 5.5/10 from 200 users  
Reviews: 9 user | 8 critic

In Japan, foreigners and their Japanese friends are caught up in the rising tide of militarism.

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Writers:

(book), (original screenplay)
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Title: Behind the Rising Sun (1943)

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Cast

Complete credited cast:
Margo ...
Tama Shimamura
Tom Neal ...
Taro Seki
J. Carrol Naish ...
Reo Seki
...
Lefty O'Doyle
...
Sara Braden
Donald Douglas ...
Clancy O'Hara (as Don Douglas)
George Givot ...
Boris
Adeline De Walt Reynolds ...
Grandmother
Leonard Strong ...
Tama's Father
Edit

Storyline

Cornell-educated Taro Seki returns to Japan just as the war party gains control. He hopes to work for American engineer O'Hara, and falls for his secretary Tama, but he is drafted. War service in China finally hardens Taro to atrocities, and he returns to Japan a changed man. His father, now a cabinet minister, feels remorse at what war has done to his son and country, but too late to save Taro's foreign friends. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The year's most timely story.

Genres:

Drama | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

8 November 1945 (Portugal)  »

Also Known As:

Alytrotoi laoi  »

Box Office

Budget:

$250,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Nancy Gates (Tama's sister) and Daisy Lee (Takahashi's servant) are in studio records/casting call lists, but do not appear in the movie. See more »

Soundtracks

Alma Mater
(ca 1870) (uncredited)
(Cornell University's Marching Song)
Music by H.S. Thompson from his ballad "Annie Lisle" (1857)
Lyrics by Archibald Croswell-Weeks and Wilmot Moses Smith (ca 1870)
Sung by Tom Neal a cappella
See more »

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User Reviews

propaganda movie
27 June 2013 | by (Romania) – See all my reviews

a classical propaganda movie. with usual ManicheAN speech, with good Americans and a sort of Japanes villain, with cruelty, happy end and a sad love story. it can be ridiculous , amusing, a document or, only, a pure nice film from an old period. in fact, it is little more. a map about perception of a nation, a exercise for few American actors to perform under make-up for becomes Japaneses, remember about a war traces and, sure, interesting comparison between box and judo. like many old films, it is a mirror for its period. naive, strange, not serious, full of pathetic scenes. but, in a special manner, realistic. because the crumbs of fiction grows - up on real earth.


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