Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from ... See full summary »
William Shatner plays two roles: cowboy Johnny Moon and his ruthless Indian twin brother, Notah. Notah likes peyote and gets the crazy idea that he's the Comanche messiah sent to lead the ... See full summary »
José Briz Méndez
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The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and ... See full summary »
When Cochise bands together with Geronimo and other Indian nations, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. Only thing in his way are the Indians he used to call his friends.
Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from rebuilding it. Written by
Metro-Goldwyn-Mayer paid RKO $6,500 for the right to use scenes from The Lost Patrol (1934) in this movie. In his autobiography, M-G-M executive producer Dore Schary refers to this film as a remake of that one. See more »
A soldier on a stretcher refuses to give up his weapon. His hands change position between shots. See more »
This is one of the best war films of its era, and it is actually less anti-Japanese than many that came later, such as John Wayne's "Back to Bataan". But never forget the very real and common - and ubiquitous - Japanese atrocities, which they still are loathe to admit. Here, a small number of Americans are acting as a rear guard preventing the invading Japanese from driving south on Bataan in 1942. They have to blow a bridge and hold a ravine, and are subject to snipers, air attacks, and infantry assaults. It is superbly done with a great cast (Desi Arnaz was quite good too). Robert Taylor cast off forever his pretty boy image of the 1930's with Garbo in his very tough portrayal of the sergeant.
Most notably, "Bataan" stands out for perhaps the best and most violent hand-to-hand combat footage ever filmed, certainly the best of its era. Also, and often neglected in reviews, is that "Bataan" featured a fully INTEGRATED Army: a Jew, a black, an Hispanic, a Filipino, and so on. They were all treated equally and heroically. "Bataan" could not even be shown in parts of the South in the 1940's due to this. Only two other movies of the WW II period featured a black fighting bravely
"Sahara" and "Crash Dive", but none as well as here. "Bataan" is a
marvelous film on many levels. A classic.
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