Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from ...
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An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
William A. Wellman
Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from rebuilding it. Written by
This film's dedication states that it is dedicated to the heroes of Bataan. See more »
When Corporal Katigbak is found he has a Samari sword sticking out of him. A Samuari sword is not a stabbing weapon. It's a slashing weapon. And a Japanese officer would stick his sword in body after his has killed him. Samuari swords are prized by their owners. And would not be left behind in such a way. See more »
Closing credits epilogue: So fought the heroes of Bataan. Their sacrifice made possible our victories in the Coral and Bismark Seas, at Midway, on New Guinea and Guadalcanal. Their spirit will lead us back to Bataan! See more »
This is one of the best war films of its era, and it is actually less anti-Japanese than many that came later, such as John Wayne's "Back to Bataan". But never forget the very real and common - and ubiquitous - Japanese atrocities, which they still are loathe to admit. Here, a small number of Americans are acting as a rear guard preventing the invading Japanese from driving south on Bataan in 1942. They have to blow a bridge and hold a ravine, and are subject to snipers, air attacks, and infantry assaults. It is superbly done with a great cast (Desi Arnaz was quite good too). Robert Taylor cast off forever his pretty boy image of the 1930's with Garbo in his very tough portrayal of the sergeant.
Most notably, "Bataan" stands out for perhaps the best and most violent hand-to-hand combat footage ever filmed, certainly the best of its era. Also, and often neglected in reviews, is that "Bataan" featured a fully INTEGRATED Army: a Jew, a black, an Hispanic, a Filipino, and so on. They were all treated equally and heroically. "Bataan" could not even be shown in parts of the South in the 1940's due to this. Only two other movies of the WW II period featured a black fighting bravely
"Sahara" and "Crash Dive", but none as well as here. "Bataan" is a
marvelous film on many levels. A classic.
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