Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from ... See full summary »
In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common ... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
William A. Wellman
Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from rebuilding it. Written by
The helmets used by the American soldiers in the film are actually WW1 M1917 helmets. By 1941/42, they would in fact be using the M1917a1 helmet, an improved version of the typical doughboy helmet. See more »
The first grave is suspiciously deep and square, within a few minutes of the commencement of digging. See more »
Closing credits epilogue: So fought the heroes of Bataan. Their sacrifice made possible our victories in the Coral and Bismark Seas, at Midway, on New Guinea and Guadalcanal. Their spirit will lead us back to Bataan! See more »
Taylor shines in gritty war film...Robert Walker's debut...
BATAAN is one of the better war films to come out during the war years of World War II. Robert Taylor holds the whole gritty film together with his realistic depiction of a sergeant leading a small troop of men in an effort to hold back the Japanese attack by blowing up a crucial bridge. Taylor, Robert Walker as a gum-chewing homesick sailor, Lloyd Nolan, Dezi Arnaz (surprisingly effective in a dramatic role) and others make splendid contributions. Special mention should be made of Philip Terry's medic--an under-appreciated actor who is shown as committed to his job in a selfless way but finally going berserk under the pressures of war. (He had other good roles in Olivia de Havilland's TO EACH HIS OWN and Ray Milland's THE LOST WEEKEND).
The jungle setting (although filmed on the studio lot) is impressive with its exotic foliage and adds to the realism. The hand to hand combat scenes are well staged, as are the final moments of the film.
All in all, a gripping war film that more than holds its own with contemporary stories like SAVING PRIVATE RYAN.
Has to be appreciated in the context of its time--when flag-waving patriotism was at its peak and lines like "Those dirty Japs" were not considered politically incorrect.
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