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Assignment in Brittany (1943)

A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a "look-a-like" French citizen.

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(screen play), (screen play) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Bertrand Corlay / Capt. Pierre Metard (as Pierre Aumont)
...
Anne Pinot
...
Mme. Henriette Corlay
...
Elise
Richard Whorf ...
Jean Kerenor
...
Capt. Hans Holz
...
Capt. Deichgraber
...
Etienne
...
Albertine
Adia Kuznetzoff ...
Louis Basdevant
...
Col. Trane
...
Col. Herman Fournier
...
...
Louis' Sister
...
Jeannine
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Storyline

A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a "look-a-like" French citizen.

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

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Details

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Language:

Release Date:

11 March 1943 (USA)  »

Also Known As:

Cita con el peligro  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Trivia

This film received its initial television broadcast in Los Angeles Friday 3 May 1957 on KTTV (Channel 11), followed by Philadelphia Monday 24 June 1957 on WFIL (Channel 6); it was first telecast in San Francisco 27 January 1958 on KGO (Channel 7) and in New York City 31 January 1958 on WCBS (Channel 2). See more »

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User Reviews

 
Brittany on the MGM back lot
6 August 2005 | by (United States) – See all my reviews

This picture has the look and feel of a British film of the period, probably because it includes mainly actors who spent WWII in Hollywood under contract to MGM. Jean-Pierre Aumont and his colleagues show their previous training on stage through too large gestures and reactions. Also, the acting often looks as if war were a lot of fun.

Aumont is incredibly handsome but seems wasted in this two-dimensional portrayal of a Free French warrior. The picture no doubt bolstered the spirits of his fans, dramatizing the efforts of the Free French at a crucial time in history. Any authenticity in his character comes from the knowledge that he did indeed serve with the Free French, for which he was later decorated by the French government.

The best acting in the film is by the naturalistic Susan Peters and the classically trained Margaret Wycherly.

Nevertheless, the picture is worth seeing for its place in the history of movie making.


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