The brother of a notorious outlaw is put in a charge of a stagecoach line way station in dangerous Apache territory. A stagecoach arrives at the station with a valuable box of cargo, and ... See full summary »
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The brother of a notorious outlaw is put in a charge of a stagecoach line way station in dangerous Apache territory. A stagecoach arrives at the station with a valuable box of cargo, and the outlaw brother soon shows up, though denying that he's planning to take the cargo box. Soon, however, rampaging Apaches attack the station, and the station manager, his brother and a disparate group of passengers and employees must fight them off. Written by
frankfob2@yahoo.com
Lloyd Nolan, cheerful black-hearted villain, shows up at his brother's stagecoach way-station, and menaces everybody there so he can get his hands on some loot. Will the denizens of the way-station force Lloyd outside the walls of the station, when justifiably irate Apaches march down the APACHE TRAIL to demand his hide?
This is a pretty good (if somewhat set-bound) western, featuring a nice villain turn by Nolan (who really does pull off both his trademark everyman likability and hiss-able villainy) and a ridiculous hot-blooded Latina turn by Midwesterner Donna Reed. There's nothing especially different about this one -- but the careful, somewhat slow MGM pacing and the generally good level of acting keep the subplots moving along. If you like Westerns, you might miss the stunting and outdoor photography you might get in other films like this, but you'll probably like what you see.
All in all, this is not a bad way to spend an hour and a half.
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Lloyd Nolan, cheerful black-hearted villain, shows up at his brother's stagecoach way-station, and menaces everybody there so he can get his hands on some loot. Will the denizens of the way-station force Lloyd outside the walls of the station, when justifiably irate Apaches march down the APACHE TRAIL to demand his hide?
This is a pretty good (if somewhat set-bound) western, featuring a nice villain turn by Nolan (who really does pull off both his trademark everyman likability and hiss-able villainy) and a ridiculous hot-blooded Latina turn by Midwesterner Donna Reed. There's nothing especially different about this one -- but the careful, somewhat slow MGM pacing and the generally good level of acting keep the subplots moving along. If you like Westerns, you might miss the stunting and outdoor photography you might get in other films like this, but you'll probably like what you see.
All in all, this is not a bad way to spend an hour and a half.