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IMDb > Les anges du péché (1943)

Les anges du péché (1943) More at IMDbPro »


Overview

User Rating:
7.3/10   264 votes
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Writers:
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View company contact information for Les anges du péché on IMDbPro.
Release Date:
16 January 1950 (USA) more
Genre:
Plot:
Rich young Anne-Marie thinks she has found her vocation when she joins a Dominican convent as a novice... more | add synopsis
Plot Keywords:
User Reviews:
Bresson's overlooked masterpiece? more (6 total)

Cast

  (Complete credited cast)
Renée Faure ... Anne-Marie Lamaury
Jany Holt ... Thérèse
Sylvie ... La prieure
Mila Parély ... Madeleine
Marie-Hélène Dasté ... Mère Saint-Jean
Yolande Laffon ... Madame Lamaury
Paula Dehelly ... Mère Dominique
Silvia Monfort ... Agnès
Gilberte Terbois ... Soeur Marie-Josèphe
Louis Seigner ... Le directeur de la prison
Georges Colin ... Le chef de la P.J.
Geneviève Morel ... Soeur Berthe
Christiane Barry ... Soeur Blaise
Jean Morel ... L'inspecteur de police
rest of cast listed alphabetically:
Jacqueline Champi ... Une religieuse
Andrée Clément ... Soeur Élisabeth
Madeleine Clervanne
Elisabeth Hardy ... Une religieuse
Bernard La Jarrige ... Un gardien de la prison
Jacqueline Marbaux ... Une religieuse
Claire Olivier ... Une religieuse
Madeleine Rousset ... Une religieuse
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Additional Details

Also Known As:
Angels of the Streets
Filles de l'exil (France) (working title)
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Runtime:
96 min | West Germany:88 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
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Fun Stuff

Movie Connections:
Referenced in De weg naar Bresson (1984) more

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3 out of 4 people found the following review useful.
Bresson's overlooked masterpiece?, 10 April 2007
10/10
Author: Daniel Oz from Israel

Contrary to what you might expect from a 1943 movie about nuns in a convent, Les Anges du Peche is fast, intense and gripping. The writing (by a Dominican priest, Raymond Bruckberger) is awe-inspiring; nearly every line of dialogue is a cluster of moral and emotional insights. Explored with great wisdom are themes of conformity and nonconformity, selfishness and selflessness, sin and redemption, love, jealousy and bitter resentment, pride and shame.

I am not sure if I have ever seen as forceful a feature debut as Bresson's. Don't overlook it - it is arguably better than his more well-regarded works.

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