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The Amazing Mrs. Holliday (1943)

Approved | | Comedy, Drama | 19 February 1943 (USA)
A missionary tries to outwit the U.S. government and smuggle Chinese orphans into the country.

Directors:

, (uncredited)

Writers:

(screen play), (screen play) | 3 more credits »
Reviews
Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Timothy Blake
...
Henderson
...
Commodore Thomas Spencer Holliday
...
Edgar Holliday
...
Karen Holliday
...
Louise Holliday
...
Ferguson
...
Lucy
Gus Schilling ...
Jeff Adams
John F. Hamilton ...
Dr. Kirke (as J. Frank Hamilton)
Christopher Severn ...
Orphan
Yvonne Severn ...
Orphan
Vido Rich ...
Orphan
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Storyline

A missionary tries to outwit the U.S. government and smuggle Chinese orphans into the country.

Plot Summary | Add Synopsis

Taglines:

She Went for a Boatride...and Came Back a Bride! With Nine Little Kids...But No Groom! See more »

Genres:

Comedy | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 February 1943 (USA)  »

Also Known As:

Forever Yours  »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to Deanna Durbin in a letter dated August 2, 1987 to film historian William K. Everson and published in the October 1987 issue of "Films in Review," the actress assertively attests that "Jean Renoir shot two thirds of the film as it now stands. The amazingly brave suggestion of Bruce Manning to shelve it all and do a modern version of "The Taming of the Shrew" was greeted enthusiastically by Jean, and Bruce started to contact writers immediately. Jean Renoir came back the next day complaining of the old war wound on his leg." See more »

Crazy Credits

Actor Michael Chan's name does not appear in the onscreen cast credits. He is billed only in the end cast listing as The Chinese Baby. See more »

Connections

Referenced in 12 Angry Men (1957) See more »

Soundtracks

Mighty Lak' a Rose
(uncredited)
Music by Ethelbert Nevin
Lyrics by Frank L. Stanton
Sung by Deanna Durbin
See more »

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User Reviews

 
Amazing is Hardly the Word...
30 October 2016 | by See all my reviews

'Amazing' hardly begins to describe this searing, no-holds-barred depiction of the hell of war that brought together the studio that produced 'All Quiet on the Western Front' with the director of 'La Grand Illusion', and addresses the sadly all-too topical issue of what is to be done for displaced children from the war zones of Asia.

Miss Durbin we are told is a missionary's daughter who has grown up speaking Chinese but who speaks English like a native and sings with the technical skill and vocal range of a legitimate lyric soprano. In the sombre opening sequence we are introduced to her nine young charges who unlike the hulking young men presently making their way across Europe from Syria are cute little kids with American accents orphaned by the Japs in China. They find sanctuary in a vast Nob Hill mansion presided over by a sneering Arthur Treacher and resplendently designed by Jack Otterson and photographed by Woody Bredell, with a wardrobe full of knock 'em dead gowns by Vera West and a hairdresser on the premises who we never see but whose hand is evident throughout in Miss Durbin's various immaculate coifs. The acting master of the house following the loss at sea of his own father is a young and slim Edmond O'Brien, who heads an excellent supporting cast; although Barry Fitzgerald's Oirish comic relief seems jarringly out of place throughout most of the film. The film does in fact prove a bizarre mixture of stark drama and very broad comedy; the latter including a hilarious scene at Grand Central Station with a hapless Gus Schilling, and a reenactment with Deanna of Mrs. Culpepper pursuing the cherry around her plate in the silent Laurel & Hardy short 'From Soup to Nuts'.

The most amazing thing about this already bizarre film is the fact that the original director was of all people the great Jean Renoir, who worked on the film for 47 days before being replaced by producer Bruce Manning, whose only directing credit this is.


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