Join host Ben Lyons for our live conversation with Mike Colter, star of "Jessica Jones," and Rachael Harris, star of "Lucifer," as we discuss their latest projects and history in Hollywood. Tune into Amazon.com/IMDbAsks on Wednesday at 7 p.m. ET/4 p.m. PT to watch, live chat, and even ask a question yourself! This livestream is best viewed on laptops, desktops, and tablets.
It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to... See full summary »
A band of Gypsies are camped outside the walls of Count Arnheim's palace. Oliver's wife kidnaps the Count's daughter Arline, then leaves the child and runs off with her lover, Devilshoof. ... See full summary »
Oliver is heartbroken when he finds that Georgette, the inkeeper's daughter he's fallen in love with, is already married to dashing Foreign Legion officer Francois. To forget her, he joins ... See full summary »
Turned down when they try to enlist, the boys do the next best thing and become air raid wardens. They uncover and foil a Nazi plot to sabotage a magnesium plant. Written by
Herman Seifer <firstname.lastname@example.org>
Several cast members in studio records/casting call lists for this movie were not seen in the final print. These were (with their character names): [error] (Boy), Jack Gardner (Johnson), Milton Kibbee (Lem) and Rose Hobart (Norton's Secretary). See more »
[inside the open car trunk]
This is a job for the detectives.
Maybe we should turn 'em over to the FHA.
[they get out of the car trunk.]
This must be the hide-in.
Hide-out! Come on.
See more »
Pretty bad - but still one of the better post-Roach films
In 1940, L&H quit Hal Roach after twelve years of partnership that yielded some of the finest comedies ever made. Their departure for 20th Century Fox was meant to be a step towards more creative control and freedom in the process of making films; alas, the opposite was the case. Their first two films under the new production company showed that L&H should, by Fox's definition, appear in front of the cameras and leave cutting, directing etc. to the professionals. Consequently, these two films were pale shadows of their great Roach-produced companions. Desperately, L&H sought a newer rainbow at MGM but were to be disappointed again. Even the best scenes in this film, "Air Raid Wardens", like two tit-for-tat sequences with their old colleague Edgar "Slowburn" Kennedy, lacked the spontaneous and improvised look of similar scenes´in, say, "Bacon Grabbers". Likewise, other slapstick moments in ARW like a poster-hanging bit have a rather mechanical look and are destroyed by poor editing. Yes, Stan's creative genius was sadly missing behind the camera.
Furthermore, the whole patriotic atmosphere of the plot doesn't fit L&H's style one bit.
And still this excuse for a comedy, although far, far from features like "Way Out West" or "Sons Of The Desert", emerges as one of the better post-Roach films after all; firstly, in contrast to most of the other later films, the romantic subplot is pretty much in the background and Stan & Ollie remain the main attraction. Secondly, there are at least a few scenes which REMIND you of L&H's better days; there are no such scenes to be found in "A-Haunting We Will Go" or "Nothing But Trouble", for example.
So "Air Raid Wardens" is hardly a pain to sit through but is so vastly inferior to their Roach films that you regret once more that they left him for good in 1940.
12 of 18 people found this review helpful.
Was this review helpful to you?