The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ... See full summary »
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, sister #2, because they have their husbands picked out already. But Maria hasn't yet met a man she likes. Eduardo Acuna, believing that men aren't romantic enough these days, sends his daughter flowers and anonymous love letters, creating a "mystery man" for her to fall in love with. He intends to pick out an appropriate beau for her later, to fill the role. But Robert Davis, an American dancer looking for work, stumbles into the picture. Maria falls for him, but the father does not approve. Written by
John Oswalt <firstname.lastname@example.org>
Four boys enter Mr. Acuña's house with flowers and notes from Robert to Maria. The second to enter has his left arm hanging. In the next shot, when they are seen side by side, all of them are holding the flowers with their both hands. See more »
Pop quiz: Who was Fred Astaire's favorite female dancing partner? If your answer is the obvious one, Ginger Rogers, guess again. Cyd Charisse, Vera-Ellen, Judy Garland, Joan Leslie, Eleanor Powell? Still wrong. Surprisingly, Astaire long maintained that his favorite was none other than Rita Hayworth. Rita, he once said, could be taught a complicated piece of choreography in the morning and have it down pat after lunch! The two made a pair of films together, "You'll Never Get Rich" in 1941 and "You Were Never Lovelier" in '42. A look at Hayworth's work in the latter film will demonstrate what a remarkable learner she apparently was. She and Fred share several musical numbers here, including the moonlit garden waltz to "I'm Old Fashioned" and the remarkably high-spirited and dynamic "Shorty George," and the two do make a marvelous pair. As for the rest of the film, it is a typical Astaire comedy, replete with mistaken identities, concerning Rita's father, Adolphe Menjou, convincing Fred to impersonate the fictitious lover that he has devised for her. The viewer must wait almost 40 full minutes to see Fred dance in this one, but that wait is well repaid when Astaire explodes in a brash and frenetic audition number for ol' Adolphe. The film's script is bright and amusing, Xavier Cugat's orchestra adds colorful support, and Rita is at least as beautiful, if not more so, than in 1946's overrated "Gilda." Bottom line: This is no Fred & Ginger picture, but it sure does have its compensations...Rita Hayworth surely being one of them.
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