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You Were Never Lovelier (1942)

Approved  |   |  Comedy, Musical, Romance  |  19 November 1942 (USA)
7.3
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Ratings: 7.3/10 from 2,068 users  
Reviews: 44 user | 9 critic

The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »

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Cast

Complete credited cast:
...
Robert Davis
...
Maria Acuña
...
Eduardo Acuña
Isobel Elsom ...
Mrs. Maria Castro
Leslie Brooks ...
Cecy Acuña
Adele Mara ...
Lita Acuña
Gus Schilling ...
Fernando
Barbara Brown ...
Mrs. Delfina Acuña
Douglas Leavitt ...
Juan Castro
Xavier Cugat and His Orchestra ...
Themselves
Edit

Storyline

The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, sister #2, because they have their husbands picked out already. But Maria hasn't yet met a man she likes. Eduardo Acuna, believing that men aren't romantic enough these days, sends his daughter flowers and anonymous love letters, creating a "mystery man" for her to fall in love with. He intends to pick out an appropriate beau for her later, to fill the role. But Robert Davis, an American dancer looking for work, stumbles into the picture. Maria falls for him, but the father does not approve. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Hayworth's glowing beauty! Astaire's glorious rhythm! Kern's greatest score since "Show Boat"! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 November 1942 (USA)  »

Also Known As:

Tuesday's Orchids  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Fred Astaire and Rita Hayworth rehearsed most of their routines in a funeral parlor. See more »

Goofs

After he delivers the invitation list to Mrs Acuña, Fernando holds the hat turned to his belly. Next shot he is holding the hat upside down. See more »

Quotes

Lita Acuña: Just think papa, you've been married longer than we've lived!
Eduardo Acuña: I consider that a very fortunate coincidence, my dear.
See more »

Connections

Version of Una joven de 16 años (1963) See more »

Soundtracks

Hungarian Rhapsody No.2 in C Sharp Minor
(1847) (uncredited)
Written by Franz Liszt
Excerpts played for the Audition Dance
Played by Xavier Cugat and His Orchestra and danced by Fred Astaire
See more »

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User Reviews

Grace and motion
8 October 2002 | by (Deming, New Mexico, USA) – See all my reviews

Okay, it's not Tosca. But holy smoke, what an efflorescence of talented song writers and lyricists the American stage produced in the thirty years between 1925 and 1955! Irving Berlin, George and Ira Gershwin, Yip Harburg, Johnny Mercer, Jerome Kern, Cole Porter, the list goes on. And the songs! From Astaire's films alone, we have Orchids in the Moonlight, The Carioca, Let's Face the Music and Dance, Yesterdays, Smoke Gets in Your Eyes, Cheek to Cheek, The Way You Look Tonight, A Fine Romance, They All Laughed, Let's Call the Whole Thing off ("You say tomato, I say tomahto..."), They Can't Take That Away From Me. That's a handful of the more familiar numbers from the first films Astaire made with Ginger Rogers.

"You Were Never Lovelier" has melodies by Jerome Kern and lyrics by Johnny Mercer. Ginger isn't here, but Rita Hayworth is. Her beauty is undeniable. She'd undergone hair removal and Hollywood glamorization by this time and in a few years a pin-up pic of her was to be pasted onto a famous bomb. I missed Astaire's earlier movies. By the time I was old enough, Gene Kelly dominated the screen. I saw Astaire in his later films and didn't like him nearly as much as Kelly. Kelly's background was in athletics. He was masculine and muscular and working class. Astaire's background was in ballroom dancing. How can an adolescent identify with a skinny balding narrow-shouldered dancer in a tuxedo who doesn't swing from ropes? But there's no longer much doubt in most peoples' minds, including mine, that Astaire was by far the better dancer, Kelly's charm notwithstanding. Astaire was elegant and precise and his dance steps were varied; Kelly seemed to repeat his leg-over-leg jumps over and over in each number.

At any rate, the plot of "You Were Never Lovelier" is rather original for an Astaire musical. I don't think it goes farther back in history than Aristophanes. It's a complicated business involving mistaken identities, an interfering father, and whatnot. But it doesn't matter, because the numbers are what counts. Kern and Mercer provide two songs that have become standards: "Dearly Beloved" and "I'm Old Fashioned." Anyone who wants to see the Hollywood musical at its best would be advised to listen to either song and to watch the dancing during "I'm Old Fashioned." "Dearly Beloved" occurs throughout the film as a kind of theme, and is sung once by Astaire and once by Hayworth, but is never accompanied by a dance. There are other songs too, of course, although none enchants the way these two ballads do. One of the numbers is "The Shorty George." Astaire's movies often had references to a new popular dance craze -- The Carioca, The Yam, the Sluefoot -- and this is an instance of that tendency. It was named after a real dancer, George Snowden, a dancer at the Savoy Ballroom in Harlem, known as "Shorty." If "I'm Old Fashioned" has a swooping grace, "The Shorty George" includes sections set at a blistering tempo and demonstrates Rita Hayworth's energy and range as a dancer.

Speaking of energy, how do they do it? "I'm Old Fashioned", like most of Astaire's numbers, consists of very long takes in medium distance that depend on both precision and physical stamina. (If you want to see an example of the opposite, watch Travolta do his final number in "Staying Alive.") I counted three cuts during the entire dance, which lasts four minutes and thirty-seven seconds. I'd have a heart attack after the first thirty-seven seconds.

Well, okay. It's not Fred and Ginger. It's not even Tosca. But if you want to watch two people engaged in the unpretentious exercise of a physical skill acquired only with the utmost difficulty, this one shouldn't be missed.


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