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You Were Never Lovelier (1942)

7.3
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Ratings: 7.3/10 from 2,049 users  
Reviews: 44 user | 9 critic

The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »

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(screenplay), (screenplay), 3 more credits »
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Title: You Were Never Lovelier (1942)

You Were Never Lovelier (1942) on IMDb 7.3/10

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Nominated for 3 Oscars. See more awards »
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Edit

Cast

Complete credited cast:
...
Robert Davis
...
Maria Acuña
...
Eduardo Acuña
Isobel Elsom ...
Mrs. Maria Castro
Leslie Brooks ...
Cecy Acuña
Adele Mara ...
Lita Acuña
Gus Schilling ...
Fernando
Barbara Brown ...
Mrs. Delfina Acuña
Douglas Leavitt ...
Juan Castro
Xavier Cugat and His Orchestra ...
Themselves
Edit

Storyline

The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, sister #2, because they have their husbands picked out already. But Maria hasn't yet met a man she likes. Eduardo Acuna, believing that men aren't romantic enough these days, sends his daughter flowers and anonymous love letters, creating a "mystery man" for her to fall in love with. He intends to pick out an appropriate beau for her later, to fill the role. But Robert Davis, an American dancer looking for work, stumbles into the picture. Maria falls for him, but the father does not approve. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Hayworth's glowing beauty! Astaire's glorious rhythm! Kern's greatest score since "Show Boat"! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 November 1942 (USA)  »

Also Known As:

Tuesday's Orchids  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The character played by Fred Astaire says he is from Omaha, Nebraska- Astaire's real-life birthplace. See more »

Goofs

During Davis's big dance number in Acuna's office, he tap dances over part of a throw rug. The sound of his taps are the same as when he taps on the hardwood floor of the room, revealing that the taps are dubbed onto the soundtrack. See more »

Quotes

[discussing their daughter]
Eduardo Acuña: Maria is going to wait until the right man comes along.
Mrs. Delfina Acuña: Why should she? I didn't.
See more »

Connections

Referenced in X-Men: First Class (2011) See more »

Soundtracks

Wedding in the Spring
(1942) (uncredited)
Music by Jerome Kern
Lyrics by Johnny Mercer
Played on piano and sung by Leslie Brooks and Adele Mara
Reprised by Xavier Cugat and His Orchestra) and sung by Lina Romay and chorus,
and danced by the anniversary party guests
See more »

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User Reviews

 
Pop Quiz
29 November 2007 | by (United States) – See all my reviews

Pop quiz: Who was Fred Astaire's favorite female dancing partner? If your answer is the obvious one, Ginger Rogers, guess again. Cyd Charisse, Vera-Ellen, Judy Garland, Joan Leslie, Eleanor Powell? Still wrong. Surprisingly, Astaire long maintained that his favorite was none other than Rita Hayworth. Rita, he once said, could be taught a complicated piece of choreography in the morning and have it down pat after lunch! The two made a pair of films together, "You'll Never Get Rich" in 1941 and "You Were Never Lovelier" in '42. A look at Hayworth's work in the latter film will demonstrate what a remarkable learner she apparently was. She and Fred share several musical numbers here, including the moonlit garden waltz to "I'm Old Fashioned" and the remarkably high-spirited and dynamic "Shorty George," and the two do make a marvelous pair. As for the rest of the film, it is a typical Astaire comedy, replete with mistaken identities, concerning Rita's father, Adolphe Menjou, convincing Fred to impersonate the fictitious lover that he has devised for her. The viewer must wait almost 40 full minutes to see Fred dance in this one, but that wait is well repaid when Astaire explodes in a brash and frenetic audition number for ol' Adolphe. The film's script is bright and amusing, Xavier Cugat's orchestra adds colorful support, and Rita is at least as beautiful, if not more so, than in 1946's overrated "Gilda." Bottom line: This is no Fred & Ginger picture, but it sure does have its compensations...Rita Hayworth surely being one of them.


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