6.0/10
86
4 user 1 critic

You Can't Escape Forever (1942)

Approved | | Crime, Drama, Romance | 10 October 1942 (USA)
When Laurie goes to the execution of Varney and faints, she does not know that Varney gets a full pardon minutes before he fries. She calls in a story about his death and gets transferred ... See full summary »

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(story), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Steve Mitchell
...
Laurie Abbott
...
Carl Robelink
...
'Mac' McTurk
...
Boss Greer
Paul Harvey ...
Maj. Turner
Edith Barrett ...
Madame Lucille
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Storyline

When Laurie goes to the execution of Varney and faints, she does not know that Varney gets a full pardon minutes before he fries. She calls in a story about his death and gets transferred to the Bewildered Heart Column of Prudence Maddox. When Mitch writes a story about Greer murdering Crowder that he cannot prove, he gets transferred from editor to Prudence Maddox. He makes Prudence very profitable for the paper, but the only way he can get the job of editor back, is to prove that Greer is a crook. Written by Tony Fontana <tony.fontana@spacebbs.com>

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Genres:

Crime | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

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Release Date:

10 October 1942 (USA)  »

Also Known As:

Los mercaderes negros  »

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Technical Specs

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Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Director of photographer James Van Trees was given on-screen credit when he substituted for 'Tony Gaudio (I)', who had a bad case of flu. See more »

Connections

Remake of Love Is on the Air (1937) See more »

Soundtracks

Sweet Georgia Brown
(1925) (uncredited)
Music by Maceo Pinkard and Ben Bernie
Played by the band in the Lonesome Club for dancing
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User Reviews

 
Lower your expectations....and perhaps, just perhaps you can enjoy it.
4 February 2013 | by (Bradenton, Florida) – See all my reviews

Marshall's character SHOULD have been fired and yet she was angry--made her very easy to hate turns silly=propaganda While on the surface this film can look a lot like "His Girl Friday", soon it becomes very apparent it is not. It's a shame, because George Brent was capable of doing better pictures than this one. And, you could do a lot better with your time.

The film starts off okay. An annoying reporter (Brenda Marshall) is sent to cover an execution for the newspaper. But, she passes out and misses it--and doesn't realize that the man was given a last second pardon. Not willing to admit the truth, she phones in the story to her editor (and boyfriend), Brent, and reports that the killing went off as scheduled! As a result, he demotes her to do a society column. Now here is where the film started to annoy me. She SHOULD have felt lucky not to get fired--but she is nasty and balks with her demotion. I grew to dislike her because of this--and it was only about 5 minutes into the movie. Later, Brent himself is demoted to this same thankless job--and he spends the rest of the film trying to break a huge story to earn his way back.

While this COULD have worked, the film had three major problems. I already mentioned how unlikable Marshall's character was. In addition, the dialog tried to be smart and zippy like "His Girl Friday"--but it just wasn't that good and showed it. But most importantly, the end just made me cringe. Adding this propaganda angle hurt the film because it seemed VERY gratuitous and unnecessary. Overall, a pretty limp little film--one you will no doubt also think is a bit limp.


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