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A Yank in Libya (1942)

Passed | | Drama, Romance, War | 24 July 1942 (USA)
American correspondent Mike Malone uncovers a Nazi plot for an uprising of the Arab tribes in Lybia. Pursued by Sheik David and his men, Mike takes refuge in the suite of Nancy Brooks, who ... See full summary »



(original story and screenplay), (original story and screenplay) (as Sherman Lowe)

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Complete credited cast:
Nancy Brooks-Graham
Herbert Forbes
'Parky' Parkyarkarkus (as Parkyarkarkus)
Sheik David
Sheik Ibrahim (as George Lewis)
Yussof Streyer (as William Vaughn)
Howard Banks ...
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Amarilla Morris ...
Haditha the Dancer


American correspondent Mike Malone uncovers a Nazi plot for an uprising of the Arab tribes in Lybia. Pursued by Sheik David and his men, Mike takes refuge in the suite of Nancy Brooks, who is in the British Intelligence. He asks her to hide a gun and escapes through a window. Reporting the affair to British Consul Herbert Forbes, the latter tries to discourage him from further investigation, as the British are aware of the plot and are planning on staging a coup. He goes with Mike to Nancy's apartment, and she denies having ever seen him before. Sheik Ibrahim, next in command of the Arab tribe to Sheik David, is plotting with Nazi agent Yussof Streyer to kill David who is friendly with the British. Mike and Nancy have gone to David's camp, escape from Ibrahim's henchmen, and get back to El Moktar before the Arabs attack the garrison. Written by Les Adams <longhorn1939@suddenlink.net>

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Packed With Thrills and Romance! (original poster) See more »


Drama | Romance | War


Passed | See all certifications »




Release Date:

24 July 1942 (USA)  »

Also Known As:

I ribelli del Sahara  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?


The earliest documented telecast of this film in the New York City area occurred Monday 29 October 1945 on pioneer television station WNBT (Channel 1). See more »

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User Reviews

Spliced together PRC gem about an annoying American running around in Libya. Either you by its low rent silly charm and love it or you don't and hate it.
10 August 2006 | by (Glen Cove, New York) – See all my reviews

This gloriously silly "rah rah" America film was made right after the American entry in World War 2. Its a wild romp with a jerk for a lead but enough jokes action and mismatched stock footage to be a great deal of fun in the right frame of mind.

This is the story of Mike Malone an American reporter in Libya. He comes upon a plot of the Nazi's to arm the Arabs and fight the British. He steals a rifle and high tails it back to the nearest city. He crashes into the room of a nice "British" girl, leaves her the gun and then heads out the window, telling her to hide the gun from pursuing Arabs. Malone goes to the British consulate where he's thought balmy, doubly so after a visit to the girl turns up no gun. Malone then struggles to prove his story, while the British try to prevent the Arab uprising and keep an eye on the German in their midst.

This movie is very funny, often for the wrong reasons. Malone, played by Walter Woolf King, is the worst an American be: cocksure, boorish, a jerk and insufferable. He's horribly unlikeable and comes close to sinking the movie, but he doesn't mostly because he's so over inflated as to be a joke. He is nicely counter balanced by the rest of the cast who are damn near spot in their portrayals of what should be cardboard characters. Clearly they are going to go for it even if the buffoon in the middle isn't. I have to single out Harry Parke aka Parkyarkarkus, as a guy from Brooklyn posing as an Arab razor blade salesman. Parke is a joy to be hold as a calm cool man of action and witty remarks. Clearly he knows whats going on even when everyone else doesn't. The character of Parkyarkarkus was Parke's patented character from radio and he's basically doing the same shtick here to great effect. (A side note: Parke, real last name Einstein, is not only known for fathering Super Dave Osbourne and Albert Brooks, but also dropping dead in Milton Berle's lap during a Friar's roast of Lucille Ball).

Technically this movie is a mess. Clearly shot on stages and back lots, it also makes a great deal of stock footage, none of which matches any of the other footage in the film. It makes for a "bigger" movie but often surreal effect as in the case of a bar room brawl that suddenly is in a room three times the size it started in and involves ten times more people. Its funny for all the wrong reasons.

And I really liked this movie. There is something so loopy about it that made me like it infinitely more than I should have. Its not a great movie but some how the plot is involving and the knowing humor takes enough of the edge off the crappy parts that you really don't mind its low rent birth.

Worth a bucket of popcorn and a soda.

8 out of 10 if you're in the right frame of mind. 5 out of 10 if you're not.

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