This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Franz Roberti is a famous orchestra conductor who has a number of girlfriends. While talking with his old music teacher, Professor Thalma, he meets Constance, an aspiring music composer. ... See full summary »
The story revolves around Pamela, as a woman in late-1800's England who has no intention of marriage and wishes to be her own person. After a great deal of difficulty in finding a job, she ... See full summary »
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Tess and Sam work on the same newspaper and don't like each other very much. At least the first time, because they eventually fall in love and get married. But Tess is a very active woman and one of the most famous feminists in the country; she is even elected as "the woman of the year." Being busy all the time, she forgets how to really be a woman and Sam begins to feel neglected. Written by
Chris Makrozahopoulos <email@example.com>
As Katharine Hepburn's close friend and frequent director, George Cukor was a natural choice to direct, but for her first film with Spencer Tracy, Hepburn wanted Tracy to be as comfortable as possible, so as a quasi-producer, she hired George Stevens, who had directed her in Alice Adams (1935). As Hepburn said, "I just thought he (Tracy) should have a big, manly man on his team - someone who could talk about baseball." Cukor (who was openly gay and known for his friendships with actresses) would later become a good friend of Tracy and would direct both actors in Keeper of the Flame (1942), Adam's Rib (1949) and Pat and Mike (1952). See more »
The position of the mixing bowl in relation to the waffle iron changes between shots. See more »
I'm going to be you wife. You don't think that I can do the little ordinary things that any idiot can do, do you?
Because you're incapable of doing them, that's why. You can't expect Seabiscuit to stop in the middle of the stretch, drink a glass of water, and count to seven at the same time, you know. That takes training.
Well, I'm not Seabiscuit.
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This delight from director George Stevens was the first Tracy/Hepburn collaboration and as we all know by now, they fell in love.
That the film doesn't always portray them as a loving couple is down to their superb acting - they had to act as though they hated each other at times.
Back at the time, during WW2 (film was released in 1942) and with women having more and more general employment, due to the men having been conscripted, many could see possibly a situation where the woman wore the trousers, to coin an outdated expression. We have Ms Hepburn, running here and there - the film starts with press releases telling us that she is interviewing Winston Churchill - she is a very important and much in demand person.
Similar in a way to their later 'Adam's Rib', we have in the other corner, an everyday bloke, set in his ways and here he is someone who has a very male-dominated profession - that of a sports correspondent. Naturally, Tess (Hepburn) who's extremely intelligent and inquisitive, wants to know the ins and outs of baseball. She tries to enter and understand his world.
Naturally, this all causes slight havoc. She's always got her personal assistant hanging round her. She never knows which senior politician is going to phone her up - or when. Then, she is voted "Woman Of the Year". Her fiancé, Sam (Tracy) should be delighted. But isn't. The dreams he had of a normal, happy marriage slips further away from him....
The narrative flow IS a bit lumpy - there are scenes - the final kitchen scene is in real-time and we just let it unfold naturally - but that's what life - and love - is often about. I rather like the way it is broken up by changing tempos and situations, being more natural and as a result, the pair seem very real to us.
Some fans of the two actors believe that this is their best pairing, others think Adam's Rib is. I'm going to go for the second, myself, as it is slightly cleverer and the story is a touch stronger. Never-the- less, this is still extraordinarily good film-making and a fine movie.
I watched the DVD as part of the Tracy/Hepburn 4 disc boxset.
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