Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
Tess and Sam work on the same newspaper and don't like each other very much. At least the first time, because they eventually fall in love and get married. But Tess is a very active woman and one of the most famous feminists in the country; she is even elected as "the woman of the year." Being busy all the time, she forgets how to really be a woman and Sam begins to feel neglected. Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
Katharine Hepburn speaks six different languages in this film. They are English, French, Spanish, Russian, German and Greek. See more »
In the first scene in the bar, in which all are listening to the NBC Radio program "Information, Please", the dial of the AM radio on the shelf behind the bar changes location between long shots and close-ups. It is correct in close-up, at 660kHz, one of the broadcast frequencies NBC used in New York City in the 1940s, and at 880kHz in long shots, the frequency of the New York City CBS affiliate. See more »
[attending a baseball game]
You mean our paper sends two people to cover the game?
No, I cover the game, he just kicks it around in his column.
We've got only one man at Vichy...
Vichy, are they still in the league?
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A lot of reviews on romantic comedies and the like talk about this thing called "chemistry" between actors, when it seems the two actors are capable of really presenting true, real life emotions between them. When it comes to the Spenser Tracy/Katherine Hepburn pairing, the word "chemistry" is used quite often. The thing about it is, though, that this stuff goes way beyond chemistry. This is real, honest-to-life drama.
Spenser Tracy's character is utterly relatable. He reacts and he does what it seems any guy of the era, or even today, would do in such a situation. His character is torn between his absolute adoration of Tess, and the knowledge that not only will he never amount to what Tess is, he also is pretty much emasculated by her self-actualization.
And for Katherine Hepburn, who plays Tess, there couldn't have been a better role. Hepburn, who was naturally independent anyway, plays the role of a knowledgeable Woman's Woman without needing an extra breath.
The thing about the films with these two are that they actually present a relationship, not just a courtship and a "and then they lived happily ever after, for all time" ending. They show the real issues with communication, work, space, and borders, everything that must be understood about a person to make it work. And they are absolutely adoring of each other.
Just like in the later film, Adam's Rib (1949), this film presents the issues and friction in their relationship almost spectacularly well from both sides. I can't say that this film was as good as Adam's Rib (George Steven's directing is just a tad off-balanced and the pacing is a little uneven), but at any rate it's a real joy to watch, from the beginning courting to the slapstick ending.
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