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Woman of the Year (1942)

Passed  |   |  Comedy, Drama, Romance  |  19 January 1942 (USA)
7.3
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Ratings: 7.3/10 from 6,361 users  
Reviews: 67 user | 24 critic

Rival reporters Sam and Tess fall in love and get married, only to find their relationship strained when Sam comes to resent Tess' hectic lifestyle.

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Writers:

(original screen play), (original screen play), 1 more credit »
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Title: Woman of the Year (1942)

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Won 1 Oscar. Another 2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Sam Craig
...
Fay Bainter ...
Ellen Whitcomb
...
Clayton
Minor Watson ...
William J. Harding
...
'Pinkie' Peters
Gladys Blake ...
Flo Peters
Dan Tobin ...
Gerald Howe
...
Phil Whittaker
William Tannen ...
Ellis
Ludwig Stössel ...
Dr. Lubbeck (as Ludwig Stossel)
Sara Haden ...
Matron
Edith Evanson ...
Alma
George Kezas ...
Chris
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Storyline

Tess and Sam work on the same newspaper and don't like each other very much. At least the first time, because they eventually fall in love and get married. But Tess is a very active woman and one of the most famous feminists in the country; she is even elected as "the woman of the year." Being busy all the time, she forgets how to really be a woman and Sam begins to feel neglected. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The picture of the year!

Genres:

Comedy | Drama | Romance | Sport

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

| | | | |

Release Date:

19 January 1942 (USA)  »

Also Known As:

La mujer del año  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Katharine Hepburn speaks six different languages in this film. They are English, French, Spanish, Russian, German and Greek. See more »

Goofs

In the first scene in the bar, in which all are listening to the NBC Radio program "Information, Please", the dial of the AM radio on the shelf behind the bar changes location between long shots and close-ups. It is correct in close-up, at 660kHz, one of the broadcast frequencies NBC used in New York City in the 1940s, and at 880kHz in long shots, the frequency of the New York City CBS affiliate. See more »

Quotes

Tess Harding: [attending a baseball game] You mean our paper sends two people to cover the game?
Phil Whittaker: No, I cover the game, he just kicks it around in his column.
Tess Harding: We've got only one man at Vichy...
Sam Craig: Vichy, are they still in the league?
See more »

Connections

Referenced in Hollywood on Trial (1976) See more »

Soundtracks

Anchors Aweigh
(1906) (uncredited)
Music by 'Charles A. Zimmerman'
In the score near the end
See more »

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User Reviews

 
Real fun.
30 December 2005 | by (United States) – See all my reviews

A lot of reviews on romantic comedies and the like talk about this thing called "chemistry" between actors, when it seems the two actors are capable of really presenting true, real life emotions between them. When it comes to the Spenser Tracy/Katherine Hepburn pairing, the word "chemistry" is used quite often. The thing about it is, though, that this stuff goes way beyond chemistry. This is real, honest-to-life drama.

Spenser Tracy's character is utterly relatable. He reacts and he does what it seems any guy of the era, or even today, would do in such a situation. His character is torn between his absolute adoration of Tess, and the knowledge that not only will he never amount to what Tess is, he also is pretty much emasculated by her self-actualization.

And for Katherine Hepburn, who plays Tess, there couldn't have been a better role. Hepburn, who was naturally independent anyway, plays the role of a knowledgeable Woman's Woman without needing an extra breath.

The thing about the films with these two are that they actually present a relationship, not just a courtship and a "and then they lived happily ever after, for all time" ending. They show the real issues with communication, work, space, and borders, everything that must be understood about a person to make it work. And they are absolutely adoring of each other.

Just like in the later film, Adam's Rib (1949), this film presents the issues and friction in their relationship almost spectacularly well from both sides. I can't say that this film was as good as Adam's Rib (George Steven's directing is just a tad off-balanced and the pacing is a little uneven), but at any rate it's a real joy to watch, from the beginning courting to the slapstick ending.

--PolarisDiB


5 of 5 people found this review helpful.  Was this review helpful to you?

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