Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
Tess and Sam work on the same newspaper and don't like each other very much. At least the first time, because they eventually fall in love and get married. But Tess is a very active woman and one of the most famous feminists in the country; she is even elected as "the woman of the year." Being busy all the time, she forgets how to really be a woman and Sam begins to feel neglected. Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
The Broadway musical version opened at the Palace Theater on May 29, 1981, ran for 770 performances starring Lauren Bacall and Harry Guardino and was nominated for the 1981 Tony Awards for the Best Musical, Book and Score. See more »
Sam Craig calls "Soldier Field" "Soldiers Field." See more »
Right off I have to say that this is at once the funniest, most romantic, most intelligent & most realistic depiction of a romantic relationship I have ever seen.(For perspective, I'm a 60 year-old multi-lingual film buff).
Whatever kind of film George Stevens tried, he did it to perfection. Witness Gunga Din, Swingtime & A Place in the Sun to mention just a few. It was like watching something by Hawks, Lubitch & Sturges all rolled into one.
Hepburn never appeared softer, more vulnerable, less mannered than in Woman of the Year. I fall in love with her all over again every time I watch it, which is surprisingly often, especially in the scene where she carries on about Oswald Spengler while plastered under the table.
Then there's Tracy, the most honest actor who ever lived. But not just that: there was his ability to delve seemingly without effort into an infinite bag of gestures & expressions & tones & just plain old-fashioned but highly manifest wisdom & come up with the most richly nuanced guy ever depicted on-screen. Tracy was a giant, a genius, the Rembrandt of film.
A delightful, dazzlingly perfect grown-up movie.
29 of 32 people found this review helpful.
Was this review helpful to you?