A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Tess and Sam work on the same newspaper and don't like each other very much. At least the first time, because they eventually fall in love and get married. But Tess is a very active woman and one of the most famous feminists in the country; she is even elected as "the woman of the year." Being busy all the time, she forgets how to really be a woman and Sam begins to feel neglected. Written by
Chris Makrozahopoulos <email@example.com>
As Katharine Hepburn's close friend and frequent director, George Cukor was a natural choice to direct, but for her first film with Spencer Tracy, Hepburn wanted Tracy to be as comfortable as possible, so as a quasi-producer, she hired George Stevens, who had directed her in Alice Adams (1935). As Hepburn said, "I just thought he (Tracy) should have a big, manly man on his team - someone who could talk about baseball." Cukor (who was openly gay and known for his friendships with actresses) would later become a good friend of Tracy and would direct both actors in Keeper of the Flame (1942), Adam's Rib (1949) and Pat and Mike (1952). See more »
The position of the mixing bowl in relation to the waffle iron changes between shots. See more »
I'm going to be you wife. You don't think that I can do the little ordinary things that any idiot can do, do you?
Because you're incapable of doing them, that's why. You can't expect Seabiscuit to stop in the middle of the stretch, drink a glass of water, and count to seven at the same time, you know. That takes training.
Well, I'm not Seabiscuit.
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Right off I have to say that this is at once the funniest, most romantic, most intelligent & most realistic depiction of a romantic relationship I have ever seen.(For perspective, I'm a 60 year-old multi-lingual film buff).
Whatever kind of film George Stevens tried, he did it to perfection. Witness Gunga Din, Swingtime & A Place in the Sun to mention just a few. It was like watching something by Hawks, Lubitch & Sturges all rolled into one.
Hepburn never appeared softer, more vulnerable, less mannered than in Woman of the Year. I fall in love with her all over again every time I watch it, which is surprisingly often, especially in the scene where she carries on about Oswald Spengler while plastered under the table.
Then there's Tracy, the most honest actor who ever lived. But not just that: there was his ability to delve seemingly without effort into an infinite bag of gestures & expressions & tones & just plain old-fashioned but highly manifest wisdom & come up with the most richly nuanced guy ever depicted on-screen. Tracy was a giant, a genius, the Rembrandt of film.
A delightful, dazzlingly perfect grown-up movie.
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