London based American nurse, Lady Susan Ashwood, is at the hospital awaiting the imminent arrival of injured soldiers. She is hoping that her enlisted son, Sir John Ashwood II, who ... See full summary »
In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus ... See full summary »
This Republic murder mystery starts with a radio broadcast by Greg Sherman who solves cases on the air that the local police cannot solve. As he names the perpetrator of a recent murder we ... See full summary »
Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful ... See full summary »
In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »
Janie is a scatter-brained and high spirited teenage girl living in the small town of Hortonville. World War II causes the establishment of an army camp just outside town. Janie and her ... See full summary »
This begins in an elegant manner and is a serious film. It has a fantastic cast, almost entirely made up of character actors. Edward Arnold could be the only one ho ever starred in A pictures, though Fay Bainter, in the title role here, could have been said to also.
Bainter's character lives in a bubble. She's a rich widow in Washington, DC, who refuses to pay attention to the sounds of W.W.II, right up through Pearl Harbor. Her daughter (Jean Rogers, not quite believable as a child of privilege) meets a military man, the young Van Johnson. Her alcoholic son is sent off to war by influential Arnold, rather than disgrace Bainter, whom he loves.
It works well, even to the end, though it becomes less plausible as it moves toward its resolution. Would patrician Bainter/Hadley really embrace the working class mother-in-law of her daughter to such a degree? Seems unlikely.
There are strange overtones of homosexuality in this movie. At its start we see a bouquet being delivered to Bainter. It evolves that the woman who cuts her hair sent it. Everyone wonders why. Her friend Spring Byington says, "Maybe she's musical!" and all laugh. My understanding from older friends is that this was a code for gay/lesbian in the 1940s.
This could be my imagination, but the bouquet is never explained and w never again hear about, let alone see, the hair stylist.
Regardless, it's an elegant movie that, with a bigger budget, could have been a very fine one.
21 of 33 people found this review helpful.
Was this review helpful to you?