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Les Visiteurs du Soir (1942) More at IMDbPro »Les visiteurs du soir (original title)


2014 | 2013 | 2012 | 2011

2 items from 2014


Producer of Four-Decade-Long Emmanuelle Franchise Dead at 72

14 October 2014 7:50 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

'Emmanuelle' movies producer Alain Siritzky dead at 72 (photo: Sylvia Kristel in 'Emmanuelle' 1974) Emmanuelle franchise producer Alain Siritzky died after what has been described as "a short illness" on Saturday, October 11, 2014, at a Paris hospital. Siritzky, whose credits include dozens of Emmanuelle movies and direct-to-video efforts, several of which starring Sylvia Kristel in the title role, was 72. Ironically, Alain Siritzky didn't produce the original, epoch-making 1974 Emmanuelle. He became involved in that Yves Rousset-Rouard production via his Parafrance Films, which distributed Emmanuelle in France. 'Emmanuelle': 1974 movie sensation A couple of years after the release of Deep Throat and The Devil in Miss Jones (not to mention Boys in the Sand and Eyes of a Stranger), and the year after Marlon Brando and Maria Schneider sparked a furor by having simulated sex in Bernardo Bertolucci's Last Tango in Paris, the 1974 French release Emmanuelle still managed to become a worldwide cause célèbre. »

- Andre Soares

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The Forgotten: "Carrefour" (1938)

5 August 2014 4:07 PM, PDT | MUBI | See recent MUBI news »

Curtis Bernhardt followed the route of his fellow directors Fritz Lang and Robert Siodmak: Germany, France, America, but unlike them he never went back to film in Germany at the end of his career. I looked at his Marlene Dietrich vehicle here. Now let's consider one from his French period.

Carrefour (Crossroads) is an amnesia thriller. Je t'aime amnesia thrillers. They're particularly interesting since the kind of movie amnesia where you forget who you are appears not to exist in real life: if you lost your identity, you would have lost so many other brain functions it's doubtful you would be abe to talk about it. The device remains popular not just because it's so useful for crazy plots, but because questions of identity fascinate us.

(Speaking of crazy plots: French novelist Sebastien Japrisot, whose name itself was an anagram, wrote one of the best, the twice-filmed A Trap For Cinderella. »

- David Cairns

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2014 | 2013 | 2012 | 2011

2 items from 2014


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