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The Undying Monster (1942)

6.2
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Ratings: 6.2/10 from 674 users  
Reviews: 34 user | 17 critic

Surviving members of an aristocratic Welsh family are threatened by a legendary monster when they venture out on chilly, foggy nights.

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(screenplay), (screenplay), 1 more credit »
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Title: The Undying Monster (1942)

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Cast

Complete credited cast:
James Ellison ...
Robert Curtis
Heather Angel ...
Helga Hammond
...
Oliver Hammond
Bramwell Fletcher ...
Dr. Jeff Colbert
Heather Thatcher ...
Christy
Aubrey Mather ...
Inspector Craig
Halliwell Hobbes ...
Walton, the Butler
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Storyline

A werewolf prowls around at night but only kills certain members of one family. It seems like just a coincidence but the investigating Inspector soon finds out that this tradition has gone on for generations and tries to find a link between the werewolf and the family, leading to a frightening conclusion. Written by Graeme Huggan <hia95gh@sheffield.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Sinister! Savage! Supernatural! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

27 November 1942 (USA)  »

Also Known As:

O Segredo do Monstro  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Film debut of American tough guy Charles McGraw who ironically plays a British horse groom here. See more »

Goofs

As the werewolf carries the unconscious Helga along the rocky coastline, she bends her legs to avoid hitting the rocks. See more »

Quotes

Robert 'Bob' Curtis: [in the crypt] Everyone seems to be resting in peace.
Dr. Jeff Colbert: [sardonically] By daylight, at least.
See more »

Connections

Featured in Wolfman Chronicles (1991) See more »

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User Reviews

 
Underappreciated 'b' film
29 April 2002 | by (Oakland CA) – See all my reviews

The Undying Monster belongs to the same genre of films that Val Lewton was producing at RKO in the forties: something I call 'gothic noir'. Lucien Ballard's rich black and white photography hints of his future work on noir classics like Laura and The Killing, and John Brahm's assured direction makes the absolute most of the rather pedestrian scenario. There are some simply amazing compositions for what was obviously a second feature, and the cast is buoyed by stalwarts Halliwell Hobbes and Holmes Herbert (I love the way their names sound together!). There's even a brief scene that features a shaky cam in extreme closeup--half a century before Blair Witch Project. Highest recommendation for noir fans, though blood and guts horror mavens will probably be disappointed.


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