Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
One night of 1881, Doc Holliday, a famous poker gambler, enters the 'No Name Saloon'. There, he challenges a man to poker, betting his horse against his opponent's wife. Doc wins and from ... See full summary »
Former buffalo hunter and entrepreneur Wyatt Earp arrives in the lawless cattle town of Wichita Kansas. His skill as a gun-fighter make him a perfect candidate for Marshal but he refuses ... See full summary »
Marshal Wyatt Earp kills a couple of men of the Clanton-gang in a fight. In revenge Clanton's thugs kill the marshal's brother. Thus, Wyatt Earp starts to chase the killers together with his friend Doc Holliday.
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
In a film where the leading character is a composite of several American-frontier lawmen (mostly Wyatt Earp,) Clay Tallant comes to Silver City, Arizona in the 1880s and encounters ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
This is an unheralded little gem of a western. Full of rock-solid actors, but no big stars (Richard Dix, the biggest name in the cast, was beginning to settle into character parts after a long career as a leading man), this tight little western moves like lightning. Director William McGann made his name as an action specialist and second-unit director at Warner Bros. (it definitely has the Warner Bros. "look" to it, even though it's from Paramount), and he proved here that he was more than capable of handling a bigger-budget western. Tightly paced, full of rousing action and good performances, it deserves to be better known than it is.
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