A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
In occupied Poland during WWII, a troupe of ham stage actors (led by Joseph Tura and his wife Maria) match wits with the Nazis. A spy has information which would be very damaging to the Polish resistance and they must prevent it's being delivered to the Germans. Written by
Ken Yousten <email@example.com>
Comedies rarely stand the test of time - this one does: one of the funniest films I have ever seen.
When I was 16 (20 years ago, sigh...), this was re-released for a short time in a local art-house cinema, and my father insisted I go watching it with a friend. Well, teenagers don't normally line up to see 50 year old black and white comedies, but - man, was I glad I did!
This is a pitch black comedy that feels as fresh today as it must have then; in fact, this must have been kind of a shock in 1942. There are no cheesy clean characters or cringe-worthy lines: this is a firework of fast, witty dialogue with an edge and the sexiest, cleverest (and most morally ambiguous) female protagonist I have ever seen in a film before the "New Hollywod" era.
Even the structure and the way the story evolves are very modern; there are flashbacks and twists and turns that might be very common in contemporary films but must have seemed almost "avant-garde" at the time.
The biggest fun, of course, is how Lubitsch takes the pi** out of Hitler's blind, fanatic followers. I don't believe the Nazis have ever been mocked better than in this comedy masterpiece (and I only hope old Adolf has seen it, too). Mel Brooks' remake is not bad, but the original is simply killer.