Two teachers, man-hungry Doris and restrained Marian, visit the Yorkshire moors a year after friend Evelyn disappeared there. On a stormy night, they take refuge in the isolated cottage of ... See full summary »
Eugene O'Neill's updated version of the Orestaia. In New England, after the American Civil War, a war-weary Agamem--er, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. The film centres... See full summary »
At a fashionable dinner party in Hong Kong a naval officer is coaxed into revealing details of a dream in which eight persons take off from Bangkok in a Dakota bound for Tokyo and crash in ... See full summary »
A prominent neurosurgeon relates to his students in medical school a story about an affair he had with a married woman and how, after the affair was over, the woman one day fell out a ... See full summary »
David Charleston, once a world renowned journalist, now lives alone maintaining the Thunder Rock lighthouse in Lake Michigan. He doesn't cash is paychecks and has no contact other than the monthly inspector's visit. When alone, he imagines conversations with those who died when a 19th century packet ship with some 60 passengers sank. He imagines their lives, their problems their fears and their hopes. In one of these conversations he recalls his own efforts in the 1930s when he tried desperately to convince first his editors and later the public of the dangers of fascism and the inevitability of war. Few would listen. One of the passengers, a spinster, tells her story of seeking independence from a world dominated by men. There's also the case of a doctor who is banished for using unacceptable methods. David has given up on life but the imaginary passengers give him hope for the future Written by
I saw this movie in 1942, when I worked for the War Department and had just enlisted in the Army Air Corps, so this might account for the strong memories I have of it.
I was a little shocked that it seemed almost pure propaganda. However, it was clearly made for a British audience at a time when the nation was in imminent danger of invasion by the Nazis. Its message was never to give up hope.
It opens with the hero being frightened by the spread of Fascism across Europe. He goes into a London movie house where the depressing newsreel is followed by a cartoon which the unthinking audience finds hilarious. Disgusted, he gives up and withdraws into himself. He becomes a sort of hermit and somehow gets a job as a lighthouse-keeper on the Great Lakes.
Browsing through the lighthouse's log, he finds an account of a shipwreck. As he reads, the viewer notices that the lighthouse's central pole is now at an angle--a very clever hint of the transition to the fantasy now taking place. He is now on board the sinking ship and all is confusion and despair. But it turns out OK--the first example of the message (to the English) not to give up hope.
There are several other such episodes including one about the doctor in Vienna who discovers that doctors not washing their hands is how the deadly childbirth fever infection is spread. A failure, he is laughed out of town. But a few years later his radical theory is proved correct. Another morale boost for the discouraged wartime English.
I can't remember how the movie ends--but I've never forgotten the movie!
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