A photographer for a men's magazine is disturbed by a recurring dream he has that he is killing his models by various gruesome means. Then he discovers that his city is being terrorized by ... See full summary »
A Royal navy Commander is tricked by a pretty girl who is working for the Nazis. She tricks him into revealing some military secrets and he is court martial. He vows to track her and her ... See full summary »
Two teachers, man-hungry Doris and restrained Marian, visit the Yorkshire moors a year after friend Evelyn disappeared there. On a stormy night, they take refuge in the isolated cottage of ... See full summary »
Several teenagers take jobs at a seaside resort for the summer. TV producers decide to film a talent show at the resort and the teenagers all decide to compete. Freddie and the Dreamers ... See full summary »
This film is based on the true story of Pastor Martin Neimuller, who was sent to Dachau concentration camp for criticising the Nazi party. The small German village of Altdorf in the 1930's ... See full summary »
David Charleston, once a world renowned journalist, now lives alone maintaining the Thunder Rock lighthouse in Lake Michigan. He doesn't cash is paychecks and has no contact other than the monthly inspector's visit. When alone, he imagines conversations with those who died when a 19th century packet ship with some 60 passengers sank. He imagines their lives, their problems their fears and their hopes. In one of these conversations he recalls his own efforts in the 1930s when he tried desperately to convince first his editors and later the public of the dangers of fascism and the inevitability of war. Few would listen. One of the passengers, a spinster, tells her story of seeking independence from a world dominated by men. There's also the case of a doctor who is banished for using unacceptable methods. David has given up on life but the imaginary passengers give him hope for the future Written by
The sheer tedium of the pacing was enough to make me want to turn this WW II propaganda film off, but I was determined to see it through. The message, however, came stomping over my hopes for some redemption from a very solid cast with unquestioned talents. Sadly, they didn't stand a chance with this gray, grim material that was meant to convey a very plain and unadorned message: Oppression is bad, liberty is good. It is impossible to disagree, but this movie was so drawn out, so yawn-worthy, that it almost undercut the sentiment. Not one of the better products of the difficult war years from Britain's film industry. And, alas, Michael Wilding's central performance was such a sorry one-note of morose self-pity that it was extremely difficult even to want to empathize with him. Times were tough for the British during the Forties but at least they couldn't have been this boring.
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