A killer for hire named Raven kills his target. However, he believes that he was just killing an ordinary person, but before he knows it, there's a massive manhunt for him. It seems that ... See full summary »
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
John Hamilton leaves a comfortable New York job to take up as an artist in a quiet Connecticut town. His dipso wife hates the life and falsely makes him out to be selfish, unsuccessful, and... See full summary »
President Grant orders Indian fighter MacKay to negotiate with the Modocs of northern California and southern Oregon. On the way he must escort Nancy Meek to the home of her aunt and uncle.... See full summary »
The conflict between duty and conscience is explored in this WWII drama. Alan Ladd stars as Naval gunnery officer Alec Austin, a Quaker whose sincere pacifist sentiments do not sit well ... See full summary »
Hit man Philip Raven, who's kind to children and cats, kills a blackmailer and is paid off by traitor Willard Gates in "hot" money. Meanwhile, pert entertainer Ellen Graham, girlfriend of police Lieut. Crane (who's after Raven) is enlisted by a Senate committee to help investigate Gates. Raven, seeking Gates for revenge, meets Ellen on the train; their relationship gradually evolves from that of killer and potential victim to an uneasy alliance against a common enemy. Written by
Rod Crawford <email@example.com>
Dickie Jones (Raven as a Boy) and Hermine Sterler (Raven's Aunt) are listed in studio records as members of the cast, but those scenes were cut before the film's release. Studio records also indicate a running time of about 93 minutes, indicating about 12 minutes were eventually cut from the film. See more »
The chemical formula shows fairly straightforward chemistry on page one, but page two is a meaningless jumble of letters and numbers. See more »
What's the matter? You look like you've been on a hayride with Dracula.
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This is definitely an enjoyable film to watch. It starts out like gangbusters with great film noir qualities having the trajectory of a bona fide classic. Alan Ladd is superb as the cold-blooded killing man for hire and Laird Cregor - who unfortunately was to die at 30 only two years after this film - is equally superb in his role. The film misses the mark, however, when the patriotic aspects of World War II (then a current event) are used in the end to appeal to the conscious of the cold-blooded killing Ladd. For a character of Ladd's ilk to be won over on such a near-corny patriotic appeal is a bit of a stretch, and takes away from the true grit realism of the movie's potential. Sort of reminds me of all the romance and self-righteousness that frequently is the focus of movies or intellectual discussions of the U. S. Civil War, rather than simply telling the true plain cold-blooded reasons for its initiation and declaration, regardless of how evil, and immoral the facts. But alas, Hollywood is about entertainment, not necessarily realism. And, we can't forget the near-mandatory Studio happy-ending requirements.
On a lighter note, those with an ear for a good tune with their flicks will enjoy two Frank Loesser compositions in the film, particularly "Now you see it, Now you don't," where Veronica Lake does an excellent job lip-synching Martha Mears' vocal.
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