John Forbes is a family man who's tired of the 9 to 5 humdrum of his job an insurance company executive. Life gets a little more exciting for him when he calls upon femme fatale Mona ... See full summary »
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable ... See full summary »
Based on the files of the United States Department of Treasury. Commissioner Michael Barrows is an American Government Agent. On board a Coast Gaurd boat off the California coast he chases ... See full summary »
Hit man Philip Raven, who's kind to children and cats, kills a blackmailer and is paid off by traitor Willard Gates in "hot" money. Meanwhile, pert entertainer Ellen Graham, girlfriend of police Lieut. Crane (who's after Raven) is enlisted by a Senate committee to help investigate Gates. Raven, seeking Gates for revenge, meets Ellen on the train; their relationship gradually evolves from that of killer and potential victim to an uneasy alliance against a common enemy. Written by
Rod Crawford <email@example.com>
During production, stars Alan Ladd and Veronica Lake were interviewed on set during a live broadcast from Paramount's experimental television station W6XYZ. There were less than three hundred television receivers in Los Angeles at the time. See more »
While unconscious, Ellen is shown lying on the couch tied up and gagged. Her wrists and upper torso are tied, but her ankles are untied. However, after she is picked up and carried into the next room, her ankles are now bound. See more »
What's the matter? You look like you've been on a hayride with Dracula.
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This is definitely an enjoyable film to watch. It starts out like gangbusters with great film noir qualities having the trajectory of a bona fide classic. Alan Ladd is superb as the cold-blooded killing man for hire and Laird Cregor - who unfortunately was to die at 30 only two years after this film - is equally superb in his role. The film misses the mark, however, when the patriotic aspects of World War II (then a current event) are used in the end to appeal to the conscious of the cold-blooded killing Ladd. For a character of Ladd's ilk to be won over on such a near-corny patriotic appeal is a bit of a stretch, and takes away from the true grit realism of the movie's potential. Sort of reminds me of all the romance and self-righteousness that frequently is the focus of movies or intellectual discussions of the U. S. Civil War, rather than simply telling the true plain cold-blooded reasons for its initiation and declaration, regardless of how evil, and immoral the facts. But alas, Hollywood is about entertainment, not necessarily realism. And, we can't forget the near-mandatory Studio happy-ending requirements.
On a lighter note, those with an ear for a good tune with their flicks will enjoy two Frank Loesser compositions in the film, particularly "Now you see it, Now you don't," where Veronica Lake does an excellent job lip-synching Martha Mears' vocal.
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