Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time. He goes back to the 19th Century and takes pictures of the place. Leopold -- a man living in the 1870s -- is puzzled by Stuart's tiny camera, follows him back through the gap, and they both ended up in the present day. Leopold is clueless about his new surroundings. He gets help and insight from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters. Written by
Rosemea D.S. MacPherson
When Meg Ryan knew that Hugh Jackman was going to spend his wedding anniversary alone, she phoned his wife to invite her to dinner. Reportedly, Jackman had to spend the day working. See more »
In Leopold's uncle's house, the portrait of a young Leo (age 5-10) and his parents shows costumes from 3 different periods. If Leo was 30 in 1876, he was born in 1846, and would be 5 in 1851. The mother's costume dates to about 1876; the boy's is from about 1780. See more »
Time. Time, it has been proposed, is the fourth dimension. And yet, for mortal man, time has no dimension at all. We are like horses with blinders, seeing only what lies before us. Forever guessing the future and fabricating the past.
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In 1852, Elisha Graves Otis invented the safety brake for a lifting platform. One year later in 1853, he founded the Otis Elevator Company in Yonkers, New York. The Otis Elevator Company is a wholly owned subsidiary of United Technologies Corporation. See more »
"Kate & Leopold" is not a top quality film, but has some seriously funny and entertaining moments. Most of those were delivered from Breckin Meyer, who plays Kate's brother. For example, the part when he keeps talking in the background and nobody is listening to him. I also enjoyed when he said "we have a saying in our household 'shake and bake the chicken'" or something of that sort.
The best part of this movie by far is Hugh Jackman. Not only is he devastatingly dashing and handsome, but his performance shows off his acting chops quite well. However, he and Meg Ryan had little on screen chemistry.
If you like silly romantic comedies, or if you just like Hugh Jackman, I would advise you to check out this film. You also shouldn't expect much plot wise. The script lacks continuity and has a few plot holes and many inconceivable ideas (well, so do most films, but others do a better job of making you believe it).
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