| Johnny Weissmuller | ... | Tarzan | |
| Maureen O'Sullivan | ... | Jane Parker | |
| Johnny Sheffield | ... | Boy | |
| Virginia Grey | ... | Connie Beach | |
| Charles Bickford | ... | Buck Rand | |
| Paul Kelly | ... | Jimmie Shields, Pilot | |
| Chill Wills | ... | Manchester Montford | |
| Cy Kendall | ... | Col. Ralph Sergeant | |
| Russell Hicks | ... | Judge Abbotson | |
| Howard C. Hickman | ... | Blake Norton, Tarzan's Lawyer (as Howard Hickman) | |
| Charles Lane | ... | Gould Beaton, Sargent's Lawyer | |
| Miles Mander | ... | Portmaster | |
| rest of cast listed alphabetically: | |||
| Matthew Boulton | ... | Portmaster (scenes deleted) | |
| Wade Boteler | ... | First Police Sergeant (uncredited) | |
| Bill Cartledge | ... | Messenger with Cablegram (uncredited) | |
| Hobart Cavanaugh | ... | Hotel Desk Clerk (uncredited) | |
| Eddy Chandler | ... | Bailiff (uncredited) | |
| Ken Christy | ... | Second Police Sergeant (uncredited) | |
| Inez Cooper | ... | Young Woman (uncredited) | |
| Jules Cowles | ... | Courtroom Spectator (uncredited) | |
| Marjorie Deanne | ... | Cigarette Girl (uncredited) | |
| Dudley Dickerson | ... | Porter (uncredited) | |
| John Dilson | ... | Court Clerk (uncredited) | |
| James Dime | ... | Circus Roustabout (uncredited) | |
| Mike Donovan | ... | Courthouse Elevator Operator (uncredited) | |
| William Forrest | ... | Inspector at Airport (uncredited) | |
| Willie Fung | ... | Sun Lee, the Chinese Tailor (uncredited) | |
| Anne Jeffreys | ... | Young Woman (uncredited) | |
| Darby Jones | ... | Swahili Chief (uncredited) | |
| Eddie Kane | ... | Eddie, the Headwaiter (uncredited) | |
| Milton Kibbee | ... | Hotel Doorman (uncredited) | |
| Paul Kruger | ... | Circus Roustabout (uncredited) | |
| Eddie Lee | ... | Sun Lee's Assistant (uncredited) | |
| James B. Leong | ... | Sun Lee's Measuring Assistant (uncredited) | |
| Elmo Lincoln | ... | Circus Roustabout (uncredited) | |
| Jack Low | ... | Circus Roustabout (uncredited) | |
| George Magrill | ... | Circus Roustabout (uncredited) | |
| Frank Marlowe | ... | Second Cab Driver (uncredited) | |
| Patrick McVey | ... | Policeman (uncredited) | |
| Harry Monty | ... | Minor Role (uncredited) | |
| Mantan Moreland | ... | Sam, the Nightclub Janitor (uncredited) | |
| Dorothy Morris | ... | Hat Check Girl (uncredited) | |
| Philip Morris | ... | Bailiff (uncredited) | |
| Frank O'Connor | ... | Bailiff (uncredited) | |
| George Offerman Jr. | ... | Bellboy (uncredited) | |
| Ted Oliver | ... | Policeman in Patrol Car (uncredited) | |
| Harry Semels | ... | Circus Roustabout (uncredited) | |
| William Tannen | ... | Mike, an Airport Clerk (uncredited) | |
| Harry Tenbrook | ... | Circus Roustabout Driving Car (uncredited) | |
| Natalie Thompson | ... | Telephone Operator (uncredited) | |
| Emmett Vogan | ... | Policeman Telephoning (uncredited) | |
| Jasper Weldon | ... | Janitor (uncredited) | |
| Dick Wessel | ... | First Cab Driver (uncredited) | |
| Harry Wilson | ... | Circus Roustabout (uncredited) | |
| Florence Wright | ... | Young Woman (uncredited) | |
| Victor Zimmerman | ... | Policeman (uncredited) | |
Directed by | |||
| Richard Thorpe | |||
Writing credits(in alphabetical order) | ||
| Edgar Rice Burroughs | characters | |
| Myles Connolly | screenplay | |
| Myles Connolly | story | |
| Gordon Kahn | uncredited | |
| William R. Lipman | ||
Produced by | |||
| Frederick Stephani | .... | producer | |
Original Music by | |||
| David Snell | |||
Cinematography by | |||
| Sidney Wagner | |||
Film Editing by | |||
| Gene Ruggiero | |||
Art Direction by | |||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Howard Shoup | (gowns) (as Shoup) | ||
Production Management | |||
| Art Smith | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Dolph Zimmer | .... | assistant director (uncredited) | |
Art Department | |||
| Howard Campbell | .... | associate art director | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Special Effects by | |||
| A. Arnold Gillespie | .... | special effects (as Arnold Gillespie) | |
| Warren Newcombe | .... | special effects | |
Stunts | |||
| Paul Stader | .... | stunts (uncredited) | |
Other crew | |||
| George Emerson | .... | animal trainer (uncredited) | |
| Recent Posts (updated daily) | User |
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| Tarzan Escapes | Indiana Jones and the Temple of Doom | Tarzan and His Mate | Jungle Drums of Africa | Tarzan Triumphs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This is the last of the six great "Tarzan classics" with Johnny Weismuller and Maureen O'Sullivan. And I frankly didn't think I would like it: who, after all, wants to see Tarzan anywhere but in the jungle?
But this turned out to be a delightful tale after all. We are given enough of Tarzan, Jane, Boy, and the animals in the jungle to set the stage; and then are whisked to New York for a story full of situational humor, social commentary, and adventure.
Cheetah perhaps plays a bigger role in this movie than in any of the others. Cheetah provides us with great scenes of fun and good humor, opening the movie at the beginning and closing it at the end in the jungle. In both scenes, Cheetah opens with the elephants with delightful playfulness. In between, we have Cheetah going to New York with Tarzan and Jane for a series of easy-going, hilarious romps that help to really provide this movie with a special humor to offset what is I'll admit I really didn't like Boy's "tricks" with the baby elephants at the beginning of the movie. This all seemed very unnatural, and that really undermines the movies depiction of Boy in the Jungle.
However, the perhaps predictable but mordant social commentary contrasting "civilization" and Tarzan's jungle was to me a very good fit for a movie that really more than usual emphasizes environmental contrasts. The adventure/action scenes of Tarzan high above the streets of New York, and far above the Brooklyn Bridge, were wonderful.
The cinematography was excellent, crisply precise. The pace occasionally lagged, but in general, was good. All in all, this is a very worthwhile addition to the great Tarzan canon, and I would recommend it to anyone.