The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
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An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat discover, misfortune can often lead to truth. Written by
Richard Blinkal <firstname.lastname@example.org>
The small single engine plane flown by J. Carroll Naish after he robs the charity event could not possibly have carried enough gas to fly him from Mew York to the Deep South, where the coat gets thrown from the plane. See more »
Do you know what it's like to look into a woman's eyes when she's lying.
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After one seeing, this movie is one of my top favorites.
It's six or seven short stories with perhaps the most astounding cast in history.
I loved Charles Laughton as an impoverished composer getting his big chance from a Toscanini-type martinet conductor. I loved Edward G. Robinson as a Bowery drunk sent to his Harvard(like) reunion by a doting Bowery reverend. I loved the plot twists in the first two stories. Anyhow, I LOVE it. We see familiar actors in unfamiliar roles: Thomas Mitchell, a great actor, usually plays character parts, Irish or sailors or Uncle Billy in "Wonderful Life"-- here we see him as the real sophisticate he was. Rita Hayworth as jealous and uncertain as well as gorgeous. Henry Fonda, very young and playing very dumb. Ginger Rogers as a spitfire jealous fiancée. And on and on.
And best of all-- The final sequence is incredible, politically incorrect in every possible way. It stars Paul Robeson, Ethel Waters and Rochester (the comedy black guy from the Jack Benny radio show). It alone is worth the rental, combining the worst of sharecropper-Rastus-Here-Come-de-Lawd ethnic parody with a chance for Robeson to speak the Communist ideal at its highest and most hopeful, never more to be heard and powerful to hear from someone who believed it. Probably this was the only condition under which Robeson would consent to appear in an appalling stereotype skit.
The photography is great. THE LIGHTING is worth a year of film school. (Too bad the director went back to France after the war.) This movie has everything. As Hollywood Nostalgia, it's the tops.
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