After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
Nicole has no job and is several weeks behind with her rent. Her solution to her problem is to try and snare a rich husband. Enlisting the help of her friend Gloria and the maitre'd at a ... See full summary »
Douglas Fairbanks Jr.,
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat discover, misfortune can often lead to truth. Written by
Richard Blinkal <email@example.com>
At about 00:17:00 minutes, John Halloway (Thomas Mitchell) says: "Three years ago, I got an elk. There he is!" However, the animal head, mounted on the wall, that he points to is a stag, not an elk. See more »
I've never seen this film in a TV listing that I can remember, which is amazing considering the magnitude of its cast. Probably the best segment is the opening one, with Rita Hayworth (at her most glamorous), Charles Boyer (who is a bit too dramatic), & the ever effective Thomas Mitchell. The Ginger Rogers/ Henry Fonda/ Cesar Romero segment is OK. The Charles Laughton/ Elsa Lanchester segment is pretty good. Although I'm a big WC Fields fan, this was not his best work, although it had a couple of very funny moments (I'm surprised that I've never seen clips from this film on any of the bios about him). The Edward G. Robinson/ George Sanders segment was a bit too intellectual, but well acted (& it was great seeing a young Robinson do scenes I've never seen before). The film ended strongly with an all-black segment featuring Paul Robeson/ Ethel Waters/ Rochester, with the great Clarence Muse in a small part. As an extra treat, this last segment contained a song by Robeson, but the sets for this segment were Broadway stage-like, & not realistic looking like the rest of the film (compare the painted back-drops here with the realism of the Robinson alleyway in an earlier segment). Even if you don't enjoy the story segments, anyone who likes great actors/actresses of the 1930s - 1940s must see this film. I rate it 8/10.
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