Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's ...
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Story follows the training and personal lives of three recruits in the Army Air Corps --- a wealthy playboy, a college jock and an auto mechanic. Love interest is supplied by a female ... See full summary »
After World War II Larry learns that his flying buddy Mike will only live a short time despite the efforts of the doctors. He takes on a profitable flying job for profiteers Maris to ... See full summary »
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
A beautiful Austrian refugee in England--who is also a Nazi agent--marries a scholarly English pacifist. He lives near a secret military base she needs to get information about so she can help in Hitler's planned invasion of England.
After struggling to become a success, Betty Miller and her all-girl orchestra finally hit pay dirt when crooner Herbie Fenton comes on board. Problems arise when Betty and her girls try to ... See full summary »
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players. Written by
Daniel Bubbeo <firstname.lastname@example.org>
"B.G. DeSoto" and "Y. Frank Freemont" were caricatures of actual Paramount executives Buddy G. DeSylva and Y. Frank Freeman. Additionally, "Freemont" is shown in one scene drinking a Coca-Cola, the preferred beverage of true-blue Southerners like Freeman. See more »
During the jeep ride, one of the sailors is thrown out when the vehicle hits a bump and jumps onto a dirt road. The sailor is then shown back in the jeep in the next shot. See more »
[In front of Old Glory and a plaster Mt. Rushmore]
Germans, Italians, and Japs / Can't kick us off our Rand-McNally maps.
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Shortly after the attack on Pearl Harbor, the US mobilized unlike any society before or since.
A large part of that was because of a very cooperative media, especially the new medium of movies. The White House asked them to rush some feel-good films into production and this was paramount's first response. It is a collection of skits wrapped in a thin story. Most of the skit material is in the form of a "show" for sailors, but many of them inexplicably use cinematic conventions that couldn't be staged.
Because this was stitched together so quickly, it is of widely varying tone and quality. I suppose the parts you like will depend on who you are.
There's a pretty big, lush production number (ostensibly a movie being shot that some sailors visit) that has atypically svelte and acrobatic girls. Later, there's a number where black straight man Rochester dances pretty well.
So far as comedy, there are two classic scenes here that made this enjoyable for me: This was Betty Hutton's first big role and she does Lucy better than Lucy I think. One scene is a hilarious attempt to climb over a wall with the aid of two men. It's amazingly physical, worthy of Keaton. Check her out in "Perils of Pauline," also directed by Marshall, who seems to have understood her.
The other comic bit worth seeing is Bob Hope trapped in a shower with William Bendix, and avoiding being discovered. Hope's not a great comic, in fact he falls flat elsewhere in this project. But this one skit is perfect for him.
Preston Sturges is one of the main figures in folded films (films about film), and he plays himself here, screening a film.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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