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Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players. Written by
Daniel Bubbeo <email@example.com>
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
During the jeep ride, one of the sailors is thrown out when the vehicle hits a bump and jumps onto a dirt road. The sailor is then shown back in the jeep in the next shot. See more »
[In front of Old Glory and a plaster Mt. Rushmore]
Germans, Italians, and Japs / Can't kick us off our Rand-McNally maps.
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All star flag waving froth for the war time movie fan.
Pretty much this is Paramount's contribution to the war effort in 1942. Plot basically sees Victor Moore as Pop, who by way of some deceit has to keep up the pretence to his sailor son Johnny Webster (Eddie Bracken) that he is head of the studio, when in fact he is just a gatekeeper there. As Johnny and his sailor pals make their way to the studio, Pop, aided by switchboard operator Polly Judson (Betty Hutton), sets about putting on a all star show for the boys. Cue sketches and variety turns by a ream of Paramount performers. Some of the situ comedy works, such as Bob Hope in the shower with William Bendix and Hutton trying to scale a wall aided by two bendy blokes, other moments, however, fall a little flat. But when the froth is war-oriented or the stars are poking fun at themselves, it scores well and the musical numbers are never less than pleasant.
Good old time cinema while it's also fun to play spot the star. 7/10
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