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Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players. Written by
Daniel Bubbeo <firstname.lastname@example.org>
A potpourri of star turns lift the charming but silly plot above itself. Worth seeing for the Dick Powell/Mary Martin number alone. I kept backing the tape up and watching this part again and again. Why Martin wasn't a greater Hollywood star is a mystery to me, but H'wood's loss was B'way's gain. Many other nice things to see, but I have a feeling some numbers were cut from the final print. Wonder what they were?
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