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Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself ... See full summary »
Duke falls for Flaxen in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Tito, goes home and PL: learns to gamble, and returns. After he makes a ... See full summary »
Engineer Johnny Munroe is enlisted to build a railroad tunnel through a mountain to reach mines. His task is complicated, and his ethics are compromised, when he falls in love with his ... See full summary »
This is the fourth of five filmed versions of Rex Beach's redoubtable northern classic and since it's the only one out on video, it's the one best known to movie audiences. The stalwart trio of Marlene Dietrich, Randolph Scott, and John Wayne head the cast in this story about gold miners losing their claims to con men and doing something about it.
Dietrich's Cherry Malotte is another version of the role she copyrighted in Destry Rides Again. And like in Pittsburgh, Randolph Scott and John Wayne have their hormones in overdrive.
Randolph Scott is the gold commissioner/conman Alex McNamara and it's the only time he ever played a thoroughgoing villain on the screen and he carries it off, but I prefer my Randolph Scott to be tough and heroic.
You need someone like Scott around because even though John Wayne's the good guy, he's just a little too sure of himself where Dietrich is concerned. Even though her heart's with the Duke, Marlene probably liked having Scott around.
Lots of slam bang action here, topped off by what some consider the most brutal movie fight in screen history. Its close rival in Pittsburgh also featured Wayne and Scott and this one is longer, but not as brutal as in Pittsburgh.
Nice cast of good supporting character actors and pay particular attention to Scott's companions in thievery, Samuel S. Hinds and Charles Halton.
With Randy Scott and the Duke and la Dietrich, how can you go wrong.
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