Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ...
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Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
When the Germans invade Norway their Commandant and the town Mayor confront each other, attempting to maintain civility as far as possible. When the army tries to orgnanize townspeople to ... See full summary »
Lee J. Cobb
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Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, but fails to see why she would be involved. The enemy agents got the plan from a pulp novel written by Kibble, who is also on the ship and falls for her. But then she overhears his new novel and believes that he is talking about her. So when they leave the boat, she ignores him, but somehow, the bags get switched and he gets the magnetic mine - which she must later retrieve. It is mainly a Tommy Dorsey showcase with Sinatra singing - Powell dancing - and a small plot. Written by
Tony Fontana <firstname.lastname@example.org>
A Life on the Ocean Wave
Music by Henry Russell
Lyrics by Epes Sargent
First line sung a cappella by Bert Lahr twice
Played as background music when Merton and Skip are in the lifeboat See more »
One of the legendary Broadway stars who did not forge a memorable career in films, Bert Lahr performs at his cinematic best in this flimsy, albeit entertaining, musical comedy. Given considerable screen time and a character that permits his idiosyncratic comic turns to fit comfortably, Lahr exceeds his achievements in other movies. Whether working to only the camera, or with Red Skelton, or with Virginia O'Brien (a good partner for him), Bert Lahr at last shows what he can do. His brand of comedy may not be to everyone's taste (whose is?), but if you like his "shtick," don't miss this one.
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