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Seven Sweethearts (1942)

Passed | | Musical, Romance | 14 October 1943 (Mexico)
Covering the tulip festival in Little Delft, Michigan, reporter Henry Taggart takes a room at an inn ran by an eccentric old Dutchman, Mr. Van Maaster and his seven daughters. The eldest, ... See full summary »

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(original screenplay), (original screenplay)
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Cast

Cast overview, first billed only:
...
...
...
Victor Van Maaster
...
...
Peter Van Maaster
...
George Van Maaster
Frances Raeburn ...
Cornelius Van Maaster
...
Henry Taggart
...
Carl Randall
Michael Butler ...
Bernard Groton, Peter's Beau
Cliff Danielson ...
Martin Leyden, Victor's Beau
...
Anthony Vreeland, Cornelius' Beau
...
Theodore Vaney, Albert's Beau
...
Paul Brandt, George's Beau
...
Mr. Van Maaster, the Father
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Storyline

Covering the tulip festival in Little Delft, Michigan, reporter Henry Taggart takes a room at an inn ran by an eccentric old Dutchman, Mr. Van Maaster and his seven daughters. The eldest, Regina, is spoiled and stage-struck while Billie, Victor, Albert, Cornelius, Peter and George work there as boys. Henry, momentarily attracted to Regina, realizes he is in love with Billie when he hears her sing. Billie, resists his attentions, believing him the property of Regina since it is a Van Maaster family tradition that no girls in the family can marry until the eldest has. Billie admits her love for Henry but Regina will not relent. The old man trails Regine to New York where she says she has eloped, and asks that Billie marry Henry. Six couples in wedding clothes stand at the altar in the Little Delft church; Billie and Henry and the five other sisters with their intended. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

It's A SWEETHEART Of A Picture!

Genres:

Musical | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

14 October 1943 (Mexico)  »

Also Known As:

Tulip Time  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Ann Rutherford was originally supposed to appear in this film, but she caught measles. When she called in sick Louis B. Mayer had her fired, and replaced her with Peggy Moran. See more »

Goofs

When Billie is singing to Henry, two white doves land on the windowsill. When they fly away, a string can be seen pulling on the leg of the dove on the left. See more »

Connections

Remake of The Seven Sisters (1915) See more »

Soundtracks

Rock-a-Bye Baby
(1886) (uncredited)
Music and Lyrics by Effie I. Canning
Played on piano by Carl Esmond
See more »

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User Reviews

 
Oodles of Charm
19 April 2013 | by (Whiting, Indiana) – See all my reviews

A wonderful film to sit back and simply ENJOY---no pretense, no attempts at greatness...just a chance to escape and enjoy the world as it was once-upon-a-time in Hollywood.

This despite a few references to WWII and even the term "goosestep" used in the lyrics to "You and the Waltz", sung by Kathryn Grayson and accompanied on the piano by Carl Esmond's character. And HEY---why were those five strapping young male suitors always hanging around the hotel, instead of off fighting the war?? But...as one reviewer said, this film was meant to take the viewer away from the overseas hostilities during the very dark and turbulent year of 1942.

I would agree that Miss Grayson's singing can be a distraction, but her light, rather quivery ("tremolo" as it's called in the film), somewhat shrill and brittle sound was the taste of the day....and she WAS in fact a very capable coloratura soprano. I wish she would have sung something other than the big "Mignon" aria at the Festival's concert scene...something more in tune with the film itself, more folksy and romantic. Loved the big outdoor Festival scene (the kind which MGM always did so well), the kitschy all-girl orchestra number as dinner music, and the singing of the moving hymn "We Gather Together" in the church; it's so refreshing and touching to see the sincerity of a scene like that appearing in a mainstream film of that bygone era.

SK Szakall is wonderful in this film; a first-rate, substantial performance, requiring lots of humor, split-second timing, and some very tender pathos. Marsha Hunt is stunningly gorgeous as always, even though her role requires that she play a pain-in-the-neck.

And where did the main pair of lovers decide to settle down? One would hope that they chose to stay right there in Tulip Town.

A delightful precursor to "Brigadoon", with certain similarities to "Seven Brides", both of which MGM would be hard at work on a decade later, during the sad decline of the Hollywood musical.


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