Saboteur
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Saboteur (1942) More at IMDbPro »


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1 item from 2015


Red States and Blue States: Anderson’s Punch-Drunk Love and an Ode to Godard

17 January 2015 6:26 AM, PST | SoundOnSight | See recent SoundOnSight news »

From the pool party dive in Boogie Nights inspired by Mikhail Kalatozov’s I Am Cuba to the steering wheel scene in Hard Eight that so deftly recalls Alfred Hitchcock’s Saboteur, playing spot the reference with Paul Thomas Anderson is always fun. It is through these moments that we can fully appreciate the voracious depth at which one man is embroiled in his art; forever the immersed student despite his steady rise to master, yet with a constant, gleeful wish to share with us an unconditional love for the cinema – something that we can all identify with.

Of all Paul Thomas Anderson’s creations, one continues to standout as a jarring anomaly: that being Punch-Drunk Love, which does away with many of the recurring narrative themes (fathers and sons, abandonment, etc.) that can be traced throughout his work, and instead challenges the conventions of the romance genre – though, with »

- Nicholas Page

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