7.2/10
19,064
143 user 60 critic

Saboteur (1942)

Approved | | Thriller, War | 24 April 1942 (USA)
Aircraft factory worker Barry Kane goes on the run across the United States when he is wrongly accused of starting a fire that killed his best friend.

Director:

Writers:

(original screen play), (original screen play) | 1 more credit »
Reviews

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
1 nomination. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A young woman discovers her visiting uncle may not be the man he seems to be.

Director: Alfred Hitchcock
Stars: Teresa Wright, Joseph Cotten, Macdonald Carey
Sabotage (1936)
Thriller
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A Scotland Yard undercover detective is on the trail of a saboteur who is part of a plot to set off a bomb in London. But when the detective's cover is blown, the plot begins to unravel.

Director: Alfred Hitchcock
Stars: Sylvia Sidney, Oskar Homolka, Desmond Tester
Comedy | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The trouble with Harry is that he's dead, and everyone seems to have a different idea of what needs to be done with his body...

Director: Alfred Hitchcock
Stars: John Forsythe, Shirley MacLaine, Edmund Gwenn
Suspicion (1941)
Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A shy young heiress marries a charming gentleman, and soon begins to suspect he is planning to murder her.

Director: Alfred Hitchcock
Stars: Cary Grant, Joan Fontaine, Cedric Hardwicke
Action | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

On the eve of World War II, a young American reporter tries to expose enemy agents in London.

Director: Alfred Hitchcock
Stars: Joel McCrea, Laraine Day, Herbert Marshall
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

Director: Alfred Hitchcock
Stars: James Stewart, Doris Day, Brenda de Banzie
Spellbound (1945)
Film-Noir | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

Director: Alfred Hitchcock
Stars: Ingrid Bergman, Gregory Peck, Michael Chekhov
Lifeboat (1944)
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Several survivors of a torpedoed ship find themselves in the same boat with one of the men who sunk it.

Director: Alfred Hitchcock
Stars: Tallulah Bankhead, John Hodiak, Walter Slezak
Torn Curtain (1966)
Thriller
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

An American scientist publicly defects to East Germany as part of a cloak and dagger mission to find the solution for a formula resin before planning an escape back to the West.

Director: Alfred Hitchcock
Stars: Paul Newman, Julie Andrews, Lila Kedrova
Marnie (1964)
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.

Director: Alfred Hitchcock
Stars: Tippi Hedren, Sean Connery, Martin Gabel
I Confess (1953)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A priest who comes under suspicion for murder cannot clear his name without breaking the seal of the confessional.

Director: Alfred Hitchcock
Stars: Montgomery Clift, Anne Baxter, Karl Malden
Stage Fright (1950)
Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high society entertainer.

Director: Alfred Hitchcock
Stars: Marlene Dietrich, Jane Wyman, Richard Todd
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
Vaughan Glaser ...
Philip Martin aka Mr. Miller (as Vaughan Glazer)
...
...
Frances Carson ...
...
Kathryn Adams ...
...
Bones - Circus Troupe
...
Midget - Circus Troupe
Edit

Storyline

Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Following leads, he travels across the country to New York trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. Along the way, he involves Pat Martin, eventually preventing another major act of sabotage. They finally catch up with Frank Frye, the man who actually committed the act of sabotage at the aircraft factory. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Unmasking the man behind your back! See more »

Genres:

Thriller | War

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

24 April 1942 (USA)  »

Also Known As:

Cinquième colonne  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Alfred Hitchcock originally wanted Margaret Sullavan or Barbara Stanwyck for the leading female role, but it went to Priscilla Lane. See more »

Goofs

When Barry and Patricia jumped onto the rear platform of the last circus vehicle, there were only two other vehicles ahead of it. But on two later occasions we see that there are seven other vehicles in convoy ahead. See more »

Quotes

Charles Tobin: I can assure you that contrary to what is supposed and to what he may himself have told you, that young man is certainly not one of his country's enemies
Mrs. Sutton: Charles, you're joking!
Charles Tobin: I mean exactly what I say. Mr. Kane is definitely no part of our little organization.
See more »

Connections

Featured in Who Is Norman Lloyd? (2007) See more »

Soundtracks

Tonight We Love
(uncredited)
Music from "Piano Concerto in B Flat Minor" by Pyotr Ilyich Tchaikovsky
Music Adapted by Freddy Martin and Ray Austin
Lyrics by Bobby Worth
Sung by the men in the car
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
On the Road
19 November 2001 | by (brighton, ma) – See all my reviews

Alfred Hitchcock's Saboteur is not one of his best-regarded films; made between two vastly more popular and critically praised pictures, Suspicion and Shadow Of a Doubt, it's generally regarded as a lesser effort. I agree that the later film is groundbreaking, drawing Hitchcock wholly into the American mainstream for the first time, but Saboteur is in its way at least as lively as Suspicion; its chief flaw being its less than charismatic star players, Bob Cummings and Priscilla Lane.

In Saboteur we find Hitchcock feeling his way around America, literally, as its lead character travels from California to New York in search of an arsonist for whose crime he was accused. Cummings is very youthful here, and quite engaging. His boyishness (but not immaturity) perfectly suits the character he is portraying, and seems appropriate, as the director, though middle-aged, was in the process of reinventing himself, and an older, more established star might have thrown things off. Priscilla Lane's spunky heroine, which not a typical type for the director, was very much a common type in American films at the time; and she and Cummings provide an openness and a youth the director needed both in his life and work at this time. I cannot imagine older, more solid types,--Cooper and Stanwyck for instance--doing any better, as they would have, between them, carried, well, too much baggage.

As is the norm in Hitchcock's films, nothing is as it appears. Where Saboteur differs from his better known films is that the audience is let in on the game early. Though Cummings is an accused arsonist, we know that he is innocent. The villains become apparent fairly soon; and the movie hinges more on its plot than its ironies. What pleasures there are are incidental, and here the Master does not disappoint. There is an interesting, Tod Browningish interlude with some circus freaks, who help Cummings elude capture. In another scene, reminiscent of James Whale's Bride of Frankenstein, Cummings spends some time in the cottage of a blind man, who, as it turns out, is Lane's uncle. Was the director perhaps studying key American films of the previous decade? Whatever the case, these and other offbeat and discursive aspects of the movie give it a playfulness and variety, which, when one adds the factor of quite youthful leads, makes the picture seem like the work of a younger man, still learning his craft.

The film's later scenes, in New York, are more suspenseful and typical of the director, as the picture gradually becomes more Hitchockian as it moves along. In the end I find it a satisfying work; and as neither Cummings nor Lane has a dark side as an actor, neither does the movie have one. It is deliberately lightweight, and I suspect semi-experimental; an attempt by Hitchcock to see if he could pull off, in an American setting, the sort of story he had done so well in England. He succeeded admirably. The next logical step: Shadow Of a Doubt, a film in which the main character travels east to west, and with a wholly different set of values and plans.


40 of 45 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?