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Saboteur (1942)

 -  Action | Thriller | War  -  24 April 1942 (USA)
7.3
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Ratings: 7.3/10 from 14,004 users  
Reviews: 121 user | 54 critic

Aircraft factory worker Barry Kane goes on the run across the United States when he is wrongly accused of starting a fire that killed his best friend.

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(original screen play), (original screen play), 2 more credits »
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Title: Saboteur (1942)

Saboteur (1942) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
Pat
...
...
Alan Baxter ...
Clem Bevans ...
...
Fry
Alma Kruger ...
Vaughan Glaser ...
Mr. Miller (as Vaughan Glazer)
Dorothy Peterson ...
...
Frances Carson ...
Murray Alper ...
Kathryn Adams ...
Pedro de Cordoba ...
Bones - Circus Troupe
Billy Curtis ...
Midget - Circus Troupe
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Storyline

Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Following leads, he travels across the country to New York trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. Along the way, he involves Pat Martin, eventually preventing another major act of sabotage. They finally catch up with Frank Frye, the man who actually committed the act of sabotage at the aircraft factory. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Unmasking the man behind your back! See more »

Genres:

Action | Thriller | War

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

24 April 1942 (USA)  »

Also Known As:

Cinquième colonne  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Alfred Hitchcock's original director's cameo was cut by order of the censors. He and his secretary played deaf-mute pedestrians. When Hitch's character made an apparently indecent proposal to her in sign language, she slapped his face. A more conventional cameo in front of a drugstore was substituted. See more »

Goofs

At the society ball, Barry and Pat stop by a dancing couple by the piano to talk to them. The man is shown moving and snapping his fingers then stops dancing in one shot, then is shown dancing again in a subsequent shot. See more »

Quotes

Barry Kane: Pat, this moment belongs to me. No matter what happens, they can never take it away from me.
[another dancer cuts in and dances off with Pat]
See more »

Connections

Featured in Flubber (1997) See more »

Soundtracks

Tonight We Love
(uncredited)
Music from "Piano Concerto in B Flat Minor" by Pyotr Ilyich Tchaikovsky
Music Adapted by Freddy Martin and Ray Austin
Lyrics by Bobby Worth
Sung by the men in the car
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Caravan Full of Freaks - One of the master's forgotten Gems
23 May 2002 | by (Gotham City) – See all my reviews

NO SPOILERS!!

After Hitchcock's successful first American film, Rebecca based upon Daphne DuMarier's lush novel of gothic romance and intrigue, he returned to some of the more familiar themes of his early British period - mistaken identity and espionage. As the U.S. settled into World War II and the large scale 'war effort' of civilians building planes, weaponry and other necessary militia, the booming film entertainment business began turning out paranoid and often jingoistic thrillers with war time themes. These thrillers often involved networks of deceptive and skilled operators at work in the shadows among the good, law abiding citizens. Knowing the director was at home in this espionage genre, producer Jack Skirball approached Hitchcock about directing a property he owned that dealt with corruption, war-time sabotage and a helpless hero thrust into a vortex of coincidence and mistaken identity. The darker elements of the narrative and the sharp wit of literary maven Dorothy Parker (during her brief stint in Hollywood before returning to her bohemian roots in NYC) who co-authored the script were a perfect match for Hitchcock's sensibilities.

This often neglected film tells the story of the unfortunate 25 year old Barry Kane (Robert Cummings) who, while at work at a Los Angeles Airplane Factory, meets new employee Frank Frye (Norman Lloydd) and moments later is framed for committing sabotage. Fleeing the authorities who don't believe his far-fetched story he meets several characters on his way to Soda City Utah and finally New York City. These memorable characters include a circus caravan with a car full of helpful 'freaks' and a popular billboard model Patricia Martin (Priscilla Lane) who, during the worst crisis of his life as well as national security, he falls madly in love with! Of course in the land of Hitchcock, Patricia, kidnapped by the supposed saboteur Barry, falls for her captor thus adding romantic tension to the mix.

In good form for this outing, Hitchcock brews a national network of demure old ladies, average Joes, and respectable businessmen who double as secret agent terrorists that harbor criminals, pull guns and detonate bombs to keep things moving. It's a terrific plot that takes its time moving forward and once ignited, culminates in one of Hitchcock's more memorable finales. Look for incredibly life like NYC tourist attractions (all of which were recreated by art directors in Hollywood due to the war-time 'shooting ban' on public attractions). While Saboteur may not be one of Hitchcock's most well known films, it's a popular b-movie that is certainly solid and engaging with plenty of clever plot twists and as usual - terrific Hitchcock villains. Remember to look for Hitchcock's cameo appearance outside a drug store in the second half of the film. Hitchcock's original cameo idea that was shot (him fighting in sign language with his 'deaf' wife) was axed by the Bureau of Standards and Practices who were afraid of offending the deaf!


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