At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
A young woman reporter blames the Pittsburgh Pirates' losing streak on the obscenely abusive manager. While she attempts to learn more about him for her column, he begins hearing the voice ... See full summary »
Jeff and Turkey, two wild and crazy guys adrift on a raft in the Mediterranean, are cast away on a desert shore and hop a convenient camel to an Arabian Nights city where Turkey soon finds himself sold as a slave...to luscious Princess Shalmar of Karameesh. Naturally, Jeff would like to rescue Turkey from this "dire" fate, even if it means taking his place! But they haven't figured on virile desert chieftain Mullay Kassim, who has designs on the princess himself... Written by
Rod Crawford <firstname.lastname@example.org>
This film was selected to the National Film Registry, Library of Congress, in 1996. See more »
Orville is wearing a shiny overcoat when the maiden comes to tell him that Jeff is in the courtyard. Orville then pulls the coat back over his shoulder. See more »
We're going to get married on... . uh... . when is the big day, Dream Thing?
When the moon, in its last quarter, silvers the blossoms of the almond tree. That's Tuesday night, about nine.
See more »
With Bob Hope, Bing Crosby, and Dorothy Lamour all in good form, plus an interesting if wacky story, "Road to Morocco" is rather enjoyable despite the goofy nature of a lot of the material. It has a good variety of settings and comic material that help it keep going, and for all that much if it is silly, it is always good-natured and sometimes imaginative.
The desert setting and characters work all right as long as you don't take them too seriously or view it as any kind of commentary. The gently comic view of the characters and their habits is the source of some good gags, and the contrast between the locals and the two main characters is also used relatively well. There are several self-referential jokes (perhaps a couple too many) to make sure nothing is taken too seriously.
Besides Hope and Crosby, Lamour seems to relish her chance to play a princess, and Anthony Quinn is a suitably menacing adversary. Overall, it has to rank among the better of the stars' collaborations, not memorable so much for the material as for the chance to see the performers together.
8 of 8 people found this review helpful.
Was this review helpful to you?