At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
Bill's separated from his litter, making friends with the wild creatures until he's found and adopted by young Kathie. An accident separates him from her, and he's drafted into K-9 duty in ... See full summary »
The opening scene of the movie describes it best: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about the great spinner of fairy tales."
Jeff and Turkey, two wild and crazy guys adrift on a raft in the Mediterranean, are cast away on a desert shore and hop a convenient camel to an Arabian Nights city where Turkey soon finds himself sold as a slave...to luscious Princess Shalmar of Karameesh. Naturally, Jeff would like to rescue Turkey from this "dire" fate, even if it means taking his place! But they haven't figured on virile desert chieftain Mullay Kassim, who has designs on the princess himself... Written by
Rod Crawford <email@example.com>
For one special-effects shot a magic ring was supposed to turn Bob Hope into a monkey. When the director instructed Bing Crosby to keep perfectly still so his position wouldn't change while Hope switched places with the monkey, the singer quipped, "Don't worry, Dave. You're making a monkey out of Ski Nose, and you think I won't stand still for that? Try me, brother. I'll be a real statue." See more »
Orville says that he was born on September 13, 1913, a Friday. That date was actually a Saturday. See more »
Talking camels that manifest falsehood in moments of battle. Best friend rivalry over a beautiful princess in another distant time, in another exotic setting. Unconvincing sets of desert and sea make viewing a bit of an eyesore for those wary of its artificial conception. However, the interiors are done with just the right touch incapable for MGM to create with over doing the sets entirely without a hint of Ziegfeld. Nor is anyone overdressed inappropriately.
Even better, "Morocco" has a hilarious and brilliant script directed by a Paramount director that obviously has an important asset essential for the trademark mix of these films, a sense of humour. Some of the most memorable scenes from any of the "Road" films occur in "Road to Morocco". And they certainly couldn't belong anywhere else.
Perhaps today the third film of the series is unjustly best remembered for some of the hit songs it spawned, "Moonlight Becomes You" and the title song. However, other songs featured in the score should not be forgotten, despite the loveliness and catchiness of the other two.
However, this film has something brilliant going for it that is sometimes missing in other screwball or highly comic films of the era. There is no Cary Grant, and no Carole Lombard. Yet all the actors manage successfully with zany screwball antics typically capable of the above at the highest of standards. The best thing the film has is Bing, Bob and Dottie and the teaming of the trio should not be forgotten as possibly one of the best in comedies.
What this film must have done to wartime morale is amazing in a solemn era difficult to forget post Depression era. Yet today it remains as fresh as ever and anything else featuring Crosby, Hope and Lamour should not be passed over. It was certainly an unexpected gem of a surprise, and probably one of the few movies where the same jokes can get away with working twice.
Whatever its flaws, "Morocco" is one of my twenty favourite films of the 1930s, 1940s and 1950s, and the fact it's got a short time is even a greater bonus.
Yet once the all too rare movie magic of the film sets in, you never want the road to end.
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