Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than ... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
After being fired from their jobs as clerks in a pet store, Doc and Wishey, a couple of bumpkins, hide in the trunk of a car that they think will take them to New York. Somehow, however, they end up in Texas where they help to facilitate the romance of a popular Latin singer and the owner of a resort hotel while exposing a gang of Fifth-Columnists. Written by
With the money that Abbott and Costello made in their films at Universal to save that studio from going bankrupt, L.B. Mayer decided he wanted some of that himself. So Universal was probably paid a lot of cash to loan them out for the first of three films.
MGM dusted off the old show Rio Rita which was a smash Broadway success for Florenz Ziegfeld in 1927-1928. Universal had filmed it in 1929 with John Boles, Bebe Daniels and Wheeler and Woolsey. Come to think of it, they probably tossed in the rights for Rio Rita in the loan out deal for Abbott and Costello.
All that was retained were the two big songs of the show, the title song and the Ranger song. Harold Arlen and E.Y. Harburg wrote You Came Along sung very nicely by John Carroll and Kathryn Grayson.
The plot is pretty silly involving some Nazi spies sending coded messages during a broadcast featuring Latino crooner John Carroll. He's got a cheap Mexican accent that really doesn't fool anyone. Why didn't MGM use a real Latino performer like Tito Guizar? I guess we'll never know.
And Abbott and Costello don't get to use any of their patented routines here although they do have some funny moments. MGM did much better by them in Lost In a Harem which is more like the stuff they were doing at Universal.
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