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Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of con artists who pose as the mother and uncle of a pretty girl in order to separate millionaires from their money. They convince Susan she has an opportunity to fulfill all her dreams, and the trio heads for Palm Beach. Susan meets John Wheeler who says he is shopping for a sailboat. Believing that he is a millionaire, Warren and May sell him a boat that doesn't belong to them, and make off with his $15,000 life savings. Looking for greener pastures, they work themselves into the family of wealthy Tod Fenwick, who falls for Sue, posing as "Linda Worthington". But John shows up as a guest of Fenwick and he tells "Linda", not knowing she was part of the scam, that he has a detective after the fake captain that sold him the boat. John admits that he is not a millionaire but only a $65-a-week clerk. He ... Written by
Les Adams <firstname.lastname@example.org>
Say, are you really millionaires?
[Warren and Maybelle burst into laughter]
Well, there seems to be something missing.
Mrs. Maybelle Worthington:
Just the millions, and they can't rule you out for a technicality.
You see, nature played a little trick on us: we should have been born with blue blood, so we have devoted our entire life to correcting this... biological error.
What do you do? If you're not, what are you?
Mrs. Maybelle Worthington:
Well, we're sort of an excess profits tax. To criticize us would be unamerican.
We are merely bees ...
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I just saw this movie on TV. I have to confess I had never heard about this title until I discovered that it was about to be shown today. I have always liked Henry Fonda and hold Gene Tierney as one of the most beautiful actresses Hollywood has ever produced. That irresistible one-two punch and my love for old B&W movies were responsible for an hour and a half of my life That I will never get back.
The direction of this movie is very loose and without any sense of respect for the good cast. Things happen out of the blue and people keep unexpectedly appearing in settings without any reason or logic just to conveniently help the story along. It's as if the director has shot this in a manner of inventing scenes as he went along without much forethought. The last scene is completely silly and, as one character correctly points out, "corny." By then one does not care to even think about what clue from 'the note' and the "two hours ago" comment prompts John Wheeler to do what he does.
Fonda is oddly cast as Wheeler, the shallow and gullible sap who stays one dimensional throughout the story. Someone like James Stewart would have taken the role and given it more depth. With his talent for both comedy and drama Stewart would have given us a more edgy performance forcing us to actually care for this character instead of almost rooting against him as a moron who deserves what he gets. Tierney is of course as beautiful as ever. Her character, the conflicted con, is faced with the most complicated situation and because of that has to pretty much carry the movie. She is a good enough actress to do that, but the lame script and an obviously undemanding director deny us and her a more memorable performance. The set pieces should have kept us on the edge of our seats with comedic anxiety and the fear that things could unravel at any moment. Tierney's character should have been asked to head off the potential disasters through her wit and smarts rather than by lucky coincidences. It's really too bad. With tighter direction and a plot not so laden with holes and possibly Jimmy Stewart as Wheeler this forgettable flick would have had a chance to be at least a minor classic. Going back to the beginning of this writing, I have to confess I had never heard about this title, and now I know why.
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