Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
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Olivia de Havilland,
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Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of con artists who pose as the mother and uncle of a pretty girl in order to separate millionaires from their money. They convince Susan she has an opportunity to fulfill all her dreams, and the trio heads for Palm Beach. Susan meets John Wheeler who says he is shopping for a sailboat. Believing that he is a millionaire, Warren and May sell him a boat that doesn't belong to them, and make off with his $15,000 life savings. Looking for greener pastures, they work themselves into the family of wealthy Tod Fenwick, who falls for Sue, posing as "Linda Worthington". But John shows up as a guest of Fenwick and he tells "Linda", not knowing she was part of the scam, that he has a detective after the fake captain that sold him the boat. John admits that he is not a millionaire but only a $65-a-week clerk. He ... Written by
Les Adams <firstname.lastname@example.org>
Say, are you really millionaires?
[Warren and Maybelle burst into laughter]
Well, there seems to be something missing.
Mrs. Maybelle Worthington:
Just the millions, and they can't rule you out for a technicality.
You see, nature played a little trick on us: we should have been born with blue blood, so we have devoted our entire life to correcting this... biological error.
What do you do? If you're not, what are you?
Mrs. Maybelle Worthington:
Well, we're sort of an excess profits tax. To criticize us would be unamerican.
We are merely bees ...
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In 1941, a year after Fonda made "Grapes of Wrath" for Twentieth Century Fox', the studio loaned him out to Paramount Pictures for Preston Sturges' hugely successful "Lady Eve." That film gave Fonda a rare chance to play comedy, and he is particularly believable and appealing as the naive millionaire. Fox's head of production, Daryl Zanuck, saw the tremendous box-office potential in casting his dramatic star in similar roles, and a year later produced this pleasant ripoff of Sturges' premise: what would happen if a con-artist (in "Eve" Stanwyck, in this film Gene Tierney) fell for the man she'd conned. Tierney is as always very lovely and considerably less wooden than normal in the part of the reformed crook, but it is Fonda with his All-American Boy good looks who steals the show. Rouben Mamoulian, usually not associated with this sort of fluff, does an excellent job of directing.
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