Clipper ships taking the shortest route between the Mississippi and the Atlantic often end up on the shoals of Key West in the 1840s. Salvaging the ships' cargos has become a lucrative ... See full summary »
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Clipper ships taking the shortest route between the Mississippi and the Atlantic often end up on the shoals of Key West in the 1840s. Salvaging the ships' cargos has become a lucrative business for two companies -- one headed by a feisty young woman. Then she falls in love with the captain of a wrecked ship while he recuperates at her home. She travels to Charleston and is charming to the man most likely to be head of the captain's company, thinking she will be able to get the captain the position he wants on the company's first steam ship. Written by
Dale O'Connor <daleoc@interaccess.com>
"Columbia, the Gem of the Ocean"
(1843) (uncredited)
Written by David T. Shaw
Arranged by Thomas A. Beckett
In the score at the start of the movie See more »
Reap the Wild Wind is Cecil B. DeMille's contribution to such sea-faring adventure classics as The Sea Hawk or 20,000 Leagues Under the Sea. John Wayne plays a ship captain, Ray Milland plays a lawyer, and Paulette Godard a feisty southern belle who comes between them. There's plenty of fights, a trial, and an entertaining squid. There's Susan Hayward, Robert Preston, Louise Beavers, and Raymond Massey. There's a wonderful music score and beautiful Technicolor. There's a playful monkey and a talking dog (coutesy of Milland's ventriloquism). And it begins with DeMille's narration to set the tone for an action-packed, if occasionally talky, picture. This is good old-fashioned filmaking at its finest! For fans of all of the above, plus Hedda Hopper in her last role not playing herself, I highly recommend you definitely seek this one out!
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Reap the Wild Wind is Cecil B. DeMille's contribution to such sea-faring adventure classics as The Sea Hawk or 20,000 Leagues Under the Sea. John Wayne plays a ship captain, Ray Milland plays a lawyer, and Paulette Godard a feisty southern belle who comes between them. There's plenty of fights, a trial, and an entertaining squid. There's Susan Hayward, Robert Preston, Louise Beavers, and Raymond Massey. There's a wonderful music score and beautiful Technicolor. There's a playful monkey and a talking dog (coutesy of Milland's ventriloquism). And it begins with DeMille's narration to set the tone for an action-packed, if occasionally talky, picture. This is good old-fashioned filmaking at its finest! For fans of all of the above, plus Hedda Hopper in her last role not playing herself, I highly recommend you definitely seek this one out!