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Raza (1942)

2.7
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Ratings: 2.7/10 from 428 users  
Reviews: 14 user

When the Spanish Republic is declared in 1931, three brothers go separate ways. One, a priest, is killed by leftists. One, a member of the government, betrays his family's traditional ...

Director:

(as J.L. Sáenz de Heredia)

Writers:

(story) (as Jaime de Andrade) , (screenplay) (as J.L. Sáenz de Heredia) , 2 more credits »
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Title: Raza (1942)

Raza (1942) on IMDb 2.7/10

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Cast

Cast overview, first billed only:
Alfredo Mayo ...
José Churruca
Ana Mariscal ...
Marisol Mendoza
José Nieto ...
Pedro Churruca
Blanca de Silos ...
Isabel Churruca
Rosina Mendía ...
Isabel Acuña de Churruca
Pilar Soler ...
National Spy
Julio Rey de las Heras ...
Pedro Churruca's Father (as Julio Rey)
Luis Arroyo ...
Jaime Churruca
Raúl Cancio ...
Luis Echevarría
Manuel Arbó ...
Señor Echevarría
Mercedes Llofríu ...
Isabel Churruca, niña (as Merceditas Llofriú)
Eduardo González ...
Child
Consuelo Loygorri ...
Luis' Daughter (as Consuelito Loygorri)
Ángel Martínez ...
Pedro Churruca, niño
Francisco Camoiras ...
José Churruca, niño (as Paquito Camoiras)
Edit

Storyline

When the Spanish Republic is declared in 1931, three brothers go separate ways. One, a priest, is killed by leftists. One, a member of the government, betrays his family's traditional ideals. The third fights on the side of Franco to defend them.

Add Full Plot | Plot Synopsis


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Details

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Release Date:

10 November 1942 (Portugal)  »

Also Known As:

El espíritu de una raza  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Connections

Edited into Race, the Spirit of Franco (1977) See more »

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User Reviews

 
Saenz de Heredia was not Reifenstahl
31 October 2002 | by (Spain) – See all my reviews

Reading some of the comments about this truly awful and pathetic piece of fascist apology, I was considerably shocked.

'Raza', written by the dictator Franco himself, is nearly a Freudian reconstruction of the Franco family history mixed with a really difficult to stand glorification of the fascist, falangist version, symbolism. Nevertheless, one has to admit that the screenplay has splendid, unintentionated, humor moments (the comments about the almogaveres are really one of those moments to be present in any compilation of absurdities).

Even recognizing that Saenz de Heredia was a good director, in the technical way of speaking, he was not Leni Riefenstahl. More than sixty years later this film just can be look as an interesting piece of archelogy.


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