Edna marries Texan Sam Gladney, operator of a wheat mill. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home... See full summary »
Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the ... See full summary »
In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus ... See full summary »
A veteran of World War I marries and settles happily into a tidy, humble life until an accident brings back memories of a former life of wealth and privilege while blocking all recollection of his existence since the war. Thus one man disappears, and another man long missing turns up and claims his vast inheritance. What does his devoted wife, whom he no longer recognizes, do? Written by
Paul Emmons <email@example.com>
For several years, Sydney Pollack planned to remake the film, ultimately deciding against doing so. Anthony Minghella also toyed with the idea but felt that some of the plot contrivances simply wouldn't translate for modern-day audiences. See more »
Smithy's hands change position when he says that he should be in uniform vs civilain attire. This same goof occurs twice more before he gives his report of the accident. See more »
I don't even know who I am.
Well, I know who you are. You're someone awfully nice.
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One Of The Three Most Emotionally Satisfying Movies Ever Made.
Along with NOW, VOYAGER and CASABLANCA, RANDOM HARVEST is one of the three most emotionally satisfying movies to ever come out of Hollywood's classic period, and a great example of the best that MGM had to offer in the '40s. Beautifully accomplished in every department from writing to art direction to cinematography to scoring, you have only to watch the first scene (so like REBECCA's) to be drawn in by it and then consistently surprised and entertained. And reading the 28 other comments here, I am struck by the unanimity of opinion -- because what makes the contrived plot believable scene by scene, and what causes the picture as a whole to live so warmly in the memory, is the unbeatable work from Ronald Colman and Greer Garson.
More than MRS. MINIVER, this is the archetypal Garson performance: her tact, gentle humor and intelligent restraint are in perfect service to her character and the story. If she seems too starry and aristocratic to be a lowly music hall performer, she is right in every other respect, particularly as an efficient secretary, society hostess and perfect helpmate. And this is Ronald Colman's best work ever. He should have won his Oscar for this lovely, subtle performance rather than for the strained work he did in A DOUBLE LIFE. Full of wistfulness as the amnesiac early in the film, there is real heartbreak in the way he says the line "I would have liked to have belonged to them" about the couple he hopes will turn out to be his parents. But he is just as convincing later as the confident, energetic 'Industrial Prince of England.'
Colman and Garson are the perfect grownup romantic couple: they make intelligence and maturity seem impossibly glamorous, and they embody the idea that friendship, loyalty and mutual respect must be at the center of every enduring love.
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