Pluto walks past the zoo and sees the huge bone the sleeping lion has but getting it out is easier said than done. He gets it out of the lion's cage, but then has to face the kangaroo and ... See full summary »
Pluto has a tussle over a bone with a female dachsaund named Dinah unaware that he is actually giving her the bone whenever he walks in his sleep and presents it to her. However, each time ... See full summary »
Pluto's dish is empty, so he goes after the bone in the dish of Butch the bulldog, who is sleeping next door. Can he make it home with the bone before Butch wakes up? No. Soon they are ... See full summary »
Goofy, staying at the Sugar Bowl resort, demonstrates the basics of downhill skiing, which the titles and announcer insist is pronounced "SHEEing". The equipment is, of course, of the era. ... See full summary »
Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.
Pluto's kid brother, K.B., keeps getting into trouble. When Butch the bulldog passes by, K.B. latches onto him. Butch gets K.B. to crawl into a meat market through a small slot. Pluto comes... See full summary »
Pluto is playing with a ball on the beach. The ball goes into the water and starts moving in strange ways, because a sea lion is playing with it. Pluto does not want to share the ball, and ... See full summary »
Pluto comes bounding outside to help Mickey get a Christmas tree. Chip 'n Dale see him and make fun of him, but the tree they take refuge in is the one Mickey chops down. They like the ... See full summary »
Constantly getting into mischief, PLUTO JUNIOR finds trouble with a bouncing ball, rubber balloon, caterpillar, bird and clothesline.
Well animated & humorous, this was still to be the little puppy's only film. Various canines would come & go through the years, but Pluto always remained Disney's top dog.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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