Mickey's on vacation at Camp Utopia. At first Pluto thinks it really is utopia: trees everywhere and a cat to chase. But the cabin rules are strict: no dogs indoors, and dogs must be ... See full summary »
The gang throws Mickey a surprise birthday party; his present is an electric organ, which Minnie plays while Mickey does a jazzy dance. Goofy bakes the cake, but keeps having trouble with ... See full summary »
Pluto's dish is empty, so he goes after the bone in the dish of Butch the bulldog, who is sleeping next door. Can he make it home with the bone before Butch wakes up? No. Soon they are ... See full summary »
It's Pluto's birthday party, but Mickey's dozen or so nephews seem to be having all the fun. Their present is a wagon so Pluto can pull them; the "Pin the Tail on Pluto" game doesn't go ... See full summary »
Pluto has a tussle over a bone with a female dachsaund named Dinah unaware that he is actually giving her the bone whenever he walks in his sleep and presents it to her. However, each time ... See full summary »
Pluto comes bounding outside to help Mickey get a Christmas tree. Chip 'n Dale see him and make fun of him, but the tree they take refuge in is the one Mickey chops down. They like the ... See full summary »
Pluto is playing with a ball on the beach. The ball goes into the water and starts moving in strange ways, because a sea lion is playing with it. Pluto does not want to share the ball, and ... See full summary »
As in the classic fable, the grasshopper plays his fiddle and lives for the moment, while the industrious ants squirrel away massive amounts of food for the winter. With his song, he's able... See full summary »
Constantly getting into mischief, PLUTO JUNIOR finds trouble with a bouncing ball, rubber balloon, caterpillar, bird and clothesline.
Well animated & humorous, this was still to be the little puppy's only film. Various canines would come & go through the years, but Pluto always remained Disney's top dog.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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